The tombstone of Vico dei Griffoni in Genoa

La lapide Vico dei Griffoni a Genova

The plaque in the alley called dei Griffoni in the historic center of Genoa.
Walking through the alleys of the historic center of Genoa I always find something interesting to photograph.
This is a plaque written in Latin and placed at the beginning of Vico Griffoni that can be seen walking along via al Ponte Calvi.

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La lapide Vico dei Griffoni a Genova

Photo taken with Canon EOS RP and lens Canon RF 24-50.

Where is the tombstone located:

In fact, due to missing parts and a deep crack, the text is difficult to decipher:
Facvltas Concessa M.co Philippo Cattan Q . Io Iacob / Collocandi in vitro (…) ine Hvivs Vicvl – / Rastra Ferrea ad Ipsi (…) ingressvm Noctv / Prohibendvm Sit ad Beneplacitvm Ill.m / Magvs. Patrvm Commvnis et cvm Onere / ea Divrnis Temporibvs Aperiendi Habita / Pro Caeteris Relatio (…) ad Decretvm Con / Die 25 Ian: 1686.
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The plaque in the alley called dei Griffoni in the historic center of Genoa – La plaque de Vico appelée dei Griffoni dans le centre historique de Gênes – La placa de Vico llamada dei Griffoni en el centro histórico de Génova – A placa em Vico chamada dei Griffoni no centro histórico de Génova – Die Gedenktafel in Vico namens dei Griffoni im historischen Zentrum von Genua – Tấm bảng ở Vico có tên dei Griffoni ở trung tâm lịch sử của Genoa

The Little Mermaid statue in Copenhagen

La statua della Sirenetta a Copenaghen

The Little Mermaid statue in Copenhagen.
The Little Mermaid statue, located at the entrance to the port of Copenhagen, is one of the most iconic symbols of the Danish capital. This bronze sculpture, 1.25 meters high and weighing 175 kg, represents the protagonist of the famous fairy tale by Hans Christian Andersen, “The Little Mermaid”.
The statue was commissioned in 1909 by Carl Jacobsen, son of the founder of Carlsberg beer, after being fascinated by a ballet based on Andersen's fairy tale. The work was created by the sculptor Edvard Eriksen and inaugurated on August 23, 1913. Eriksen used his wife Eline as a model for the body of the statue, while the face was inspired by the dancer Ellen Price.
Since its inauguration, the Little Mermaid has become one of the most visited tourist attractions in Copenhagen. Its picturesque location overlooking the Baltic Sea attracts millions of visitors every year, eager to see this melancholic and fascinating figure up close.
Over the years, the Little Mermaid statue has been the target of numerous acts of vandalism. It has been beheaded several times, daubed with paint and even blown up with a small charge of dynamite. Despite these incidents, the statue has always been restored and continues to represent a symbol of resilience and beauty for the city of Copenhagen.
The Little Mermaid's fame has inspired numerous copies around the world. A replica can be found in Solvang, California, while other versions of the statue can be seen in New Zealand, Thailand and even on the island of Ischia, Italy.
Visiting the Little Mermaid statue is a must-see for anyone visiting Copenhagen. This timeless symbol of the city not only tells a fascinating story, but also represents Danish culture and art around the world.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

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The Little Mermaid statue is a 1.25 m tall, 175 kg heavy bronze sculpture located at the entrance to the harbour of Copenhagen and is one of the symbols of the Danish capital. It depicts the main character, the Little Mermaid, from one of Hans Christian Andersen's most famous fairy tales, The Little Mermaid. The statue was commissioned in 1909 by Carl Jacobsen, son of the founder of Carlsberg, who had been fascinated by Hans Beck's adaptation of the fairy tale into a ballet. It was created by the sculptor Edvard Eriksen (1876-1959) and first shown to the public on 23 August 1913. Eriksen used his wife Eline as a model.
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The Little Mermaid statue in Copenhagen – La statue de la Petite Sirène à Copenhague – La estatua de la Sirenita en Copenhague – A estátua da Pequena Sereia em Copenhaga – Die Statue der kleinen Meerjungfrau in Kopenhagen – Tượng nàng tiên cá ở Copenhagen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.scopricopenaghen.com/sirenetta

The mine-shaped monument in Bergen

Il monumento a forma di mina detto Minebøssen a Bergen

The Minebøssen Monument in Bergen.
When visiting the picturesque Bryggen district in Bergen, Norway, be sure to stop by the Minebøssen Monument. This striking monument, shaped like a naval mine, has stood on the embankment since 1921 and is a tribute to the Norwegian sailors who died during World War I.
The Minebøssen Monument was created by sculptor Sauce Madsen and serves a dual purpose: not only does it commemorate the fallen sailors, but it is also a charitable work. In fact, the monument was designed to raise money for the families of the victims, demonstrating a strong sense of solidarity and community.
Located directly across from the famous Bryggen district, the Minebøssen Monument is a point of reflection and remembrance. Its unique shape and profound meaning make it a must-see for anyone who wants to better understand Bergen's maritime history and the sacrifice of its sailors.
As you stroll along the pier, take a moment to look closely at the monument and reflect on its meaning. It is a place that invites contemplation and respect for those who gave their lives at sea.

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Il monumento a forma di mina detto Minebøssen a Bergen

Photo taken with Honor 20.

To see all the photos I took in Bergen click here

Where is the monument located:

The mine-shaped monument called Minebøssen in Bergen – Le monument en forme de mine appelé Minebøssen à Bergen – El monumento en forma de mina llamado Minebøssen en Bergen – O monumento em forma de mina chamado Minebøssen em Bergen – Das minenförmige Denkmal namens Minebøssen in Bergen – Tượng đài hình mỏ có tên Minebøssen ở Bergen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.tripadvisor.it/Attraction_Review-g190502-d15322142-Reviews-Minebossen-Bergen_Hordaland_Western_Norway.html
– https://it.wikipedia.org/wiki/Bryggen

The Town Hall of Montefalco in Umbria

Il Palazzo Comunale di Montefalco in Umbria

The Town Hall of Montefalco in Umbria.
In the middle of the village is the main square dominated by the thirteenth-century Town Hall.

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Il Palazzo Comunale di Montefalco in Umbria

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Here is where Montefalco is located:

In the Piazza del Comune, which is almost exactly circular, stands the Palazzo Comunale, formerly called Palazzo del Popolo.
Built in 1270 with very small dimensions, it was later expanded on the entire left side during the 15th century, when it was expanded with a portico with octagonal pillars, finished with capitals with large acanthus leaves: above the Renaissance loggia stands a large terrace that dominates the square. The façade along Corso Mameli preserves a beautiful testimony of the 13th-century construction: the elegant mullioned window with a twisted column.
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The Town Hall of Montefalco in Umbria – La mairie de Montefalco en Ombrie – El Ayuntamiento de Montefalco en Umbría – A Câmara Municipal de Montefalco na Úmbria – Das Rathaus von Montefalco in Umbrien – Tòa thị chính Montefalco ở Umbria

The statues on the facade of St. Peter's in Rome

Le statue della facciata di San Pietro a Roma

The statues on the facade of St. Peter's in Rome.
The most important Basilica of the Catholic Church has 13 statues and a clock on its facade.
I'm not going to copy what you can easily find online, I'll leave you the photo!

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Le statue della facciata di San Pietro a Roma

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Here is where the basilica is located:

At the top are the statues, some over 5.7 m high, of Jesus, John the Baptist and eleven of the twelve apostles (Saint Peter is missing). On the sides of the same are two clocks made in 1785 by Giuseppe Valadier, the clock on the left, called Oltremontano, indicates the real time, the one based on the time zone, while the one on the right, called Italian, indicates the solar Italic time with the count starting at sunset of each day and the completion of the twenty-fourth hour at the following sunset; furthermore, another difference, the one on the left has the two classic hands of the hours and minutes while the one on the right has a single hand.
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The statues of the facade of San Pietro in Rome – Les statues de la façade de San Pietro à Rome – Las estatuas de la fachada de San Pietro en Roma – As estátuas da fachada de San Pietro em Roma – Die Statuen der Fassade von San Pietro in Rom – Những bức tượng ở mặt tiền của San Pietro ở Rome

The stylobate lion at the entrance to the Palazzo dei Priori

Il leone stiloforo all'ingresso del Palazzo dei Priori di Perugia

The column-bearing lion at the entrance of the Palazzo dei Priori in Perugia.
I like to photograph the statues of animals that I encounter while traveling. And this is not the first time that I encounter a lion holding up a column at the entrance of a building (in this case it is called a column-bearing lion).
This statue, which is a pair with the one on the other side of the entrance, is located at the entrance of the Palazzo dei Priori in Perugia, the building that is home to the Galleria Nazionale dell’Umbria.

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Il leone stiloforo all'ingresso del Palazzo dei Priori di Perugia

Photo taken with Canon EOS RP and lens Canon RF 24-50.

This is the official website where the palace is discussed gallerianazionaledellumbria.it.

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The stylophoros is an architectural term derived from Greek and meaning “style bearer”, that is, column bearer. It is used to indicate those sculptures of animals or fantastic monsters placed at the base of the supporting columns of the porches or even pulpits usually in Romanesque churches. Unlike the caryatid, a sculpture that replaces the entire column by acting as a support for the trabeation, the stylophoros constitutes only the base of the column.
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The stylophore lion at the entrance to the Palazzo dei Priori in Perugia – Le lion stylophore à l’entrée du Palazzo dei Priori à Pérouse – El león estilóforo a la entrada del Palazzo dei Priori en Perugia – O leão estilóforo à entrada do Palazzo dei Priori em Perugia – Der Griffellöwe am Eingang zum Palazzo dei Priori in Perugia – Sư tử Stylophore ở lối vào Palazzo dei Priori ở Perugia

The Rio de la Plata in the Fountain of the Four Rivers

La fontana dell Rio della Plata nella Fontana dei Quattro Fiumi a Roma

The Fountain of the River Plate in the Fountain of the Four Rivers in Rome.
The Fountain of the Four Rivers is one of the most famous works of the Roman Baroque, located in Piazza Navona in Rome. Designed by Gian Lorenzo Bernini and completed in 1651, the fountain represents the four great rivers of the four continents known at the time: the Nile (Africa), the Ganges (Asia), the Danube (Europe) and the River Plate (Americas).
The figure of the River Plate represents the American continent and is located on the western side of the fountain. This figure is depicted as a robust and powerful man, leaning on a rock. Here are some specific characteristics:
The figure of the River Plate is stretched out and looks downwards, as if he were about to slide away. The posture suggests a sense of movement and dynamism.
The figure is surrounded by exotic objects that allude to the riches of the Americas. Among these objects, there is a bag of coins, symbolizing the abundance of resources such as silver, of which the river is a representation (the “Plata” in Spanish means “silver”).
At the foot of the figure is an armadillo, an animal typical of the South American regions, which further contributes to the geographical and symbolic context of the sculpture.
The face of the figure appears frightened, perhaps reflecting the idea of ​​the “New World” as a land still largely unknown and mysterious to the Europeans of the time.
The Fountain of the Four Rivers is a masterpiece of engineering and art, not only for its aesthetic beauty but also for its symbolism. It represents the papal dominion and the centrality of Rome in the Catholic world of the time. Each river is represented in a way that reflects not only the geographical but also the cultural and political characteristics of their respective regions.
The Rio de la Plata, with its representation of wealth and sense of discovery, embodies the idea of ​​America as a land of opportunity and mystery.

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La fontana dell Rio della Plata nella Fontana dei Quattro Fiumi a Roma

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Tradition, which sees Bernini as a rival to his contemporary Borromini, has created the legend according to which the figure who represents the Rio de la Plata in the fountain raises his hand towards the church of Sant’Agnese opposite as a sign of defense against the imminent fall of the building. However, this remains only a legend since the construction of the church of Sant’Agnese in Agone began only later, in 1652.
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The fountain of the Rio de la Plata in the Fountain of the Four Rivers in Rome – La fontaine du Rio de la Plata dans la Fontaine des Quatre Fleuves à Rome – La fuente del Río de la Plata en la Fuente de los Cuatro Ríos en Roma – A fonte do Rio de la Plata na Fonte dos Quatro Rios em Roma – Der Brunnen des Rio de la Plata im Vierströmebrunnen in Rom – Đài phun nước Rio de la Plata trong Đài phun nước Bốn con sông ở Rome

The text of the post was written with the help of ChatGPT, a language model from OpenAI.

The bell tower of Vor Frelser Kirke in Copenhagen

Il campanile della Vor Frelser Kirke a Copenaghen

The bell tower of Vor Frelser Kirke in Copenhagen.
Vor Frelser Kirke (Church of Our Saviour) is one of Copenhagen's most iconic attractions, located in the Christianshavn district. This baroque church is most famous for its bell tower with an external spiral staircase that wraps around the spire, offering breathtaking panoramic views of the city.
Construction of Vor Frelser Kirke began in 1682 based on the plans of architect Lambert van Haven and it was consecrated in 1695. However, the bell tower with its distinctive spiral staircase was only added in 1752 by architect Lauritz de Thurah. The staircase winds counterclockwise, a detail that has fueled an urban legend that the architect committed suicide by jumping from the spire after realizing his mistake.
The exterior spiral staircase consists of 400 steps that lead to the top of the bell tower, at a height of 90 meters. Climbing these steps is a unique experience that allows you to admire the architectural details of the spire up close and enjoy spectacular views of Copenhagen.
Another distinctive feature of Vor Frelser Kirke is its carillon, which plays melodies every hour from 8 am until midnight. This adds a musical touch to the already charming atmosphere of the church.
In addition to being a major tourist attraction, Vor Frelser Kirke is also an active parish church that serves around 8,000 people. Its baroque architecture and rich history make it a true national treasure of Denmark.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

This is the official website: vorfrelserskirke.dk.

Click here to see all the photos of the Danish capital.
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Here is where the church is located:

The bell tower of Vor Frelser Kirke in Copenhagen – Le clocher du Vor Frelser Kirke à Copenhague – El campanario de Vor Frelser Kirke en Copenhague – A torre sineira do Vor Frelser Kirke em Copenhaga – Der Glockenturm der Vor Frelser Kirke in Kopenhagen – Tháp chuông Vor Frelser Kirke ở Copenhagen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://en.wikipedia.org/wiki/Church_of_Our_Saviour,_Copenhagen

The roof of the gatehouse of Park Guell in Barcelona

Le forme del tetto della portineria del Parco Guell a Barcellona

The shapes of the roof of the gatehouse of Park Güell in Barcelona.
The roof of the gatehouse of Park Güell in Barcelona is one of the most iconic works of the famous Catalan architect Antoni Gaudí. This roof, which covers the caretaker's house (Casa del Guarda), is characterized by a wave-shaped covering and covered with colored mosaics, a technique called "trencadís" that Gaudí often used in his works.
Park Güell is one of the masterpieces of the architect Antoni Gaudí, located in Barcelona. Initially conceived as a residential complex, the project was transformed into a public park. Construction began in 1900 and was completed in 1914, and the park was officially opened to the public in 1926.
The staircase and the Salamander (Dragon). At the main entrance to the park, a large staircase leads to the Sala Hipóstila. The staircase is adorned with a colorful mosaic salamander, one of the most recognizable symbols of the park.
Sala Hipóstila. This space was originally designed as a covered market for the residential complex. It is composed of 86 Doric columns that support a roof decorated with mosaics. The structure is an example of Gaudí's ability to combine functionality and aesthetic beauty.
The Serpentine Bench. The central square of the park is surrounded by a long serpentine bench, covered with colorful mosaics. The bench offers panoramic views of Barcelona and is a perfect example of Gaudí's use of trencadís.
The Viaducts. The park is crossed by a series of viaducts designed to allow the passage of pedestrians and carriages without disturbing the natural environment. These viaducts are made of local stone and integrate perfectly into the landscape.
The Casa del Guarda. Located near the main entrance, the Casa del Guarda was intended to house the park's caretaker. The roof of the house is decorated with colorful mosaics and has a wavy shape characteristic of Gaudí's style.
Park Güell is an extraordinary example of Catalan modernism, an artistic and architectural movement that developed at the end of the 19th century. Gaudí, with his unique vision, managed to create a place that harmoniously combines nature, art and architecture. The park was declared a World Heritage Site by UNESCO in 1984.
Park Güell is a very popular tourist attraction and offers visitors the chance to explore one of Gaudí's most creative works. It is advisable to book tickets in advance, especially during high season, to avoid long queues. The park is also a perfect place for quiet walks, artistic photography and to enjoy spectacular views of Barcelona.

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Le forme del tetto della portineria del Parco Guell a Barcellona

Photo taken with Canon EOS RP and lens Tamron 16-300.

This is the official website of the park: parkguell.barcelona.

To see all the photos of the park click here:
foto gallery

Here's where the park is located:

Park Güell (Parc Güell in Catalan and Park Güell in its original name) is a 17.18-hectare public park with gardens and architectural elements located in the upper part of the city of Barcelona, ​​on the southern slope of Mount Carmel. Conceived as an urban complex, it was designed by the architect Antoni Gaudí, the greatest exponent of Catalan modernism, under the direction of the entrepreneur Eusebi Güell and inaugurated as a public park in 1926.
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The shapes of the roof of the gatehouse of Park Guell in Barcelona – Les formes du toit de la guérite du Parc Guell à Barcelone – Las formas del tejado de la garita del Parque Güell de Barcelona – As formas do telhado da portaria do Parque Guell em Barcelona – Die Formen des Daches des Torhauses des Park Güell in Barcelona – Hình dáng mái cổng của công viên Guell ở Barcelona

The text of the post was written with the help of ChatGPT, a language model from OpenAI.

The interior of the church of Santa Cristina in Parma

L'interno della chiesa di Santa Cristina a Parma

The interior of the church of Santa Cristina in Parma.
Some time ago now, I was inside this beautiful church in Parma. I still had the photo of it.

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L'interno della chiesa di Santa Cristina a Parma

Photo taken with Canon EOS M100 and lens Canon EF-M 11-22.

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The church of Santa Cristina is a Catholic place of worship with baroque forms, located in Strada della Repubblica 23 in Parma, in the province and diocese of Parma. The original church of Santa Cristina dates back to at least the 10th century and in the early Middle Ages marked the eastern limit of Parma (the church also gave its name to one of the city gates, the one that opened onto the Via Emilia towards Reggio). The apse of the building was oriented to the east and the facade faced the current Piazza Garibaldi.
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The interior of the church of Santa Cristina in Parma – L’intérieur de l’église de Santa Cristina à Parme – El interior de la iglesia de Santa Cristina en Parma – O interior da igreja de Santa Cristina em Parma – Das Innere der Kirche Santa Cristina in Parma – Nội thất nhà thờ Santa Cristina ở Parma