The monument to Vittorio Emanuele II in Piazza del Duomo in Milan. This equestrian statue of Vittorio Emanuele II was placed dominating the enormous square of the Milanese cathedral.
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The monument to Vittorio Emanuele II is a sculptural group located in the center of Piazza del Duomo in Milan. It was solemnly inaugurated on June 24, 1896. The monument was commissioned to the Italian sculptor Ercole Rosa by King Umberto I upon the death of his father Vittorio Emanuele in 1878, but was placed in the center of the square only in 1896 as the sculptor died before completing it. Continue and learn more on Wikipedia
The monument to Vittorio Emanuele II in the cathedral square in Milan – Le monument à Vittorio Emanuele II sur la place de la cathédrale de Milan – El monumento a Vittorio Emanuele II en la plaza de la catedral de Milán – O monumento a Vittorio Emanuele II na praça da catedral de Milão – Das Denkmal für Vittorio Emanuele II. auf dem Domplatz in Mailand – Tượng đài Vittorio Emanuele II tại quảng trường nhà thờ ở Milan
Details of the Arch of Victory in Genoa. Located in the heart of the beautiful port city of Genoa, the Arch of Victory is a tangible testimony to the glorious history and rich culture of the city. This majestic monument, erected to commemorate the Italian military victories during the First World War, stands as a symbol of resilience, determination and hope. The Arch of Victory, also known as the “Arch of Triumph”, was designed by the architect Marcello Piacentini and inaugurated in 1931. Its construction was commissioned by the fascist regime of Mussolini to celebrate the Italian victories in the Great War and to honor the fallen. This imposing monument, characterized by a neoclassical structure and allegorical decorations, represents a tribute to military strength and patriotic sacrifice. The inscriptions engraved on its facades commemorate the battles and heroes who defended the country’s honor and freedom. The Arch of Victory is a superb example of monumental architecture, characterized by clean lines, harmonious proportions and intricate details. Its imposing shape and Corinthian columns evoke the ancient traditions of Roman architecture, while the allegorical sculptures and decorations add a touch of grandeur and symbolism. At the top of the arch, a bronze quadriga drawn by four horses represents the triumphal victory, symbolizing the triumph of the Italian nation over enemy forces. This extraordinary work of art embodies the power and determination of the Italian people in pursuing victory and peace. Today, the Arch of Victory remains not only a historical monument, but also an iconic landmark and a meeting place for the citizens of Genoa and visitors from around the world. It is a symbol of national unity and hope for a better future, a reminder that peace and prosperity can be achieved through cooperation and mutual respect. Despite the historical controversies surrounding its construction and meaning, the Arch of Victory continues to inspire and provoke reflection on human nature and the consequences of war. It is a reminder that, even in the darkest of situations, the light of hope and dignity can still shine, guiding future generations towards a world of peace, tolerance and mutual understanding. Ultimately, the Arch of Victory in Genoa is much more than just a monument; it is a monument to resilience, military glory and the perpetual pursuit of peace and justice in the world.
“Genova, i figli morti per la Patria combattendo in terra in mare in cielo alla gloria dei secoli, superba consacra MCMXV, MCMXVIII”
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The Arch of Victory, also known as the Monument to the Fallen or the Arch of the Fallen, is an imposing triumphal arch, built during the fascist regime, located in Piazza della Vittoria in Genoa. It is dedicated to the Genoese who fell during the First World War and was inaugurated on May 31, 1931. Continue and learn more on Wikipedia
Details of the Arch of Victory in Genoa – Détails de l’Arc de la Victoire à Gênes – Detalles del Arco de la Victoria en Génova – Detalhes do Arco da Vitória em Gênova – Details zum Siegesbogen in Genua – Thông tin chi tiết về Khải Hoàn Môn ở Genoa
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The Equestrian Statue of Frederick VII in Copenhagen. It is one of the most fascinating monumental works in Copenhagen, located in the main square of Christiansborg Slot. This monument not only celebrates an important king in Danish history, but also represents a symbol of democracy and modernization of the country. Frederick VII was King of Denmark from 1848 to 1863 and played a crucial role in Denmark's transition to a constitutional monarchy. His reign is remembered for the granting of the country's first liberal constitution in 1849, which marked the birth of Danish democracy. The equestrian statue, therefore, is not only a tribute to his royal figure, but also a symbol of freedom and progress for the Danish people. The statue, made of bronze, portrays Frederick VII on horseback in a majestic and authoritative pose. The work was created by the Danish sculptor Herman Wilhelm Bissen and inaugurated in 1873, ten years after the king's death. Frederick VII is depicted in military dress and with a solemn gesture, underlining his role as a leader and reformer. The horse he is riding is sculpted in great detail, expressing a sense of dynamism and power. The equestrian statue is located in front of Christiansborg Palace, which today houses the Danish Parliament, the Supreme Court and the offices of the Prime Minister. This placement is particularly significant, as it underlines the connection between the monarchy and the development of democratic institutions in Denmark. The square where the statue is located is a place of great historical and political importance, often used for official events and national celebrations. In addition to its historical value, the equestrian statue of Frederick VII has become a cultural and tourist landmark. It is one of the most photographed attractions in Copenhagen and is a significant example of 19th-century public art. For the Danes, it is a symbol of national pride and a reminder of the democratic values on which their society is based. The equestrian statue of Frederick VII in Copenhagen offers a unique opportunity to reflect on Denmark's history and the importance of democracy. This monument, located in one of the city's most important squares, is not only a tribute to a great king, but also a symbol of progress and freedom that continues to inspire future generations.
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Frederick VII of Denmark (Copenhagen, 6 October 1808 – Glücksburg, 15 November 1863) was the last king of Denmark to rule as an absolute monarch. He reigned from 1848 until his death. During his reign he signed a constitution that gave Denmark a government and made the country a constitutional monarchy, with all adult males having the right to vote. The constitution was signed after the peaceful March Revolution. Continue and learn more on Wikipedia
The Equestrian Statue of Frederick VII in Copenhagen – La statue équestre de Frédéric VII à Copenhague – La estatua ecuestre de Federico VII en Copenhague – A estátua equestre de Frederico VII em Copenhaga – Das Reiterstandbild Friedrichs VII. in Kopenhagen – Tượng cưỡi ngựa của Frederick VII ở Copenhagen
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Michelangelo's Christ of Minerva in Rome. In the heart of Rome, in one of the oldest and most evocative neighborhoods of the city, stands the majestic church of Santa Maria sopra Minerva. Inside this sacred building, among works of art of inestimable value, stands out the statue of the Christ of Minerva, a masterpiece sculpted by the famous Renaissance artist Michelangelo Buonarroti. The statue of the Christ of Minerva, also known as the Risen Christ or Christ of the Pietà, is an imposing marble sculpture depicting Jesus Christ after the resurrection. Commissioned by a young Dominican friar, Fra' Ludovico di Pietro in 1514, the work was designed to adorn the high altar of the church of Santa Maria sopra Minerva. However, the original design included a statue of the Virgin Mary, but was later changed when Michelangelo accepted the commission. The statue took several years to complete and was completed around 1521. Michelangelo masterfully worked the white marble, creating an extraordinary work that continues to amaze today with its beauty and realism. The statue of the Christ of Minerva shows Christ in a solemn and calm pose, with his body erect and leaning on the cross. His serene face and intricate anatomical details give the work an extraordinary sense of life and spirituality. The statue of the Christ of Minerva fits into the artistic and cultural context of the Italian Renaissance, a period of fervent creativity and spiritual renewal. Michelangelo, one of the greatest artists of all time, left an indelible mark on the artistic panorama of the time with works such as David, the Pietà and the Sistine Chapel. His skill in modeling marble and capturing the essence of humanity has influenced generations of subsequent artists. The statue of Christ of Minerva represents a high point in Michelangelo's career and an icon of the Italian Renaissance. With its timeless beauty and profound spiritual meaning, it continues to inspire and move visitors who venture into the church of Santa Maria sopra Minerva. It is an extraordinary work of art that reminds us of the greatness of human ingenuity and the power of faith.
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The Christ of Minerva is a marble statue (h. 205 cm) by Michelangelo Buonarroti, made in 1519-1520 approximately and now preserved in the Basilica of Santa Maria sopra Minerva in Rome. In 1514 Michelangelo, although he was bound by an exclusive contract with the Della Rovere heirs to work on the tomb of Julius II, did not refuse lucrative private commissions, such as the one received from Bernando Cencio, canon of St. Peter's in the Vatican, Mario Scappucci, Pietro Paolo Castellano and Metello Vari for a resurrected Christ, to be placed in the Basilica of Santa Maria sopra Minerva. Continue and learn more on Wikipedia
Michelangelo’s Christ of Minerva statue in Rome – Statue du Christ de Minerve de Michel-Ange à Rome – Estatua del Cristo de Minerva de Miguel Ángel en Roma – Estátua do Cristo de Minerva de Michelangelo em Roma – Michelangelos Christus-Minerva-Statue in Rom – Tượng Chúa Kitô Minerva của Michelangelo ở Rome – 米开朗基罗在罗马的密涅瓦基督雕像 – ローマにあるミケランジェロのミネルヴァのキリスト像
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The Filarete Tower of the Sforza Castle in Milan. It is one of the most recognizable symbols of the Sforza Castle in Milan. This tall and majestic tower stands at the main entrance of the castle and represents an important piece of the architectural and cultural history of the city. The tower is named after the Florentine architect Antonio di Pietro Averlino, known as Filarete, who designed the original in 1452. Unfortunately, the original tower was destroyed by an explosion in 1521. The tower we see today is a reconstruction carried out between 1900 and 1905 by the architect Luca Beltrami, based on historical drawings and documents. The Filarete Tower is a perfect fusion of Gothic and Renaissance elements, with an imposing red brick structure and intricate decorative details. The tower is topped by a battlement and a statue of Saint Ambrose, the patron saint of Milan. The mechanical clock on the facade is a fascinating addition that draws the attention of visitors. The tower is not only an architectural element of great beauty, but also a symbol of the strength and resilience of Milan. During the Second World War, the Sforza Castle suffered severe damage, but was completely restored, including the Filarete Tower, to preserve the city's historical heritage. Today, the Filarete Tower and the Sforza Castle are open to the public and are a must-see for anyone visiting Milan. The castle also houses several museums and exhibitions, which offer an overview of Milan's history and art. Visiting the Filarete Tower at the Sforza Castle is a journey through the history and architecture of Milan. Its majesty and historical significance make it one of the most fascinating attractions in the city. Don't miss the opportunity to admire this iconic tower and explore everything that the Sforza Castle has to offer.
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The Sforza Castle is a large fortified complex located in Milan just outside the city's historic center. It was built in the 15th century by Francesco Sforza, who had recently become Duke of Milan, on the remains of a previous medieval fortification from the 14th century known as Castello di Porta Giovia (or Zobia). In the same area where the medieval Castello di Porta Giovia stood, in Roman times there was the Castrum Portae Jovis, one of the four defensive fortifications of Roman Milan. Continue and learn more on Wikipedia
The Filarete Tower of the Sforza Castle in Milan – La tour Filarete du château des Sforza à Milan – La Torre Filarete del Castillo Sforzesco de Milán – A Torre Filarete do Castelo Sforzesco em Milão – Der Filarete-Turm des Castello Sforzesco in Mailand – Tháp Filarete của Lâu đài Sforzesco ở Milan
The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence. References: – https://www.milanocastello.it/it
The Three Crowns Tower at Christiansborg Palace in Copenhagen. It is one of the most iconic attractions in Copenhagen, Denmark. This tower, located on the island of Slotsholmen, is part of the Christiansborg Palace complex, which houses the Danish parliament, the executive branch and the judiciary, making it unique in the world. The site of Christiansborg Palace has been occupied by several buildings over the centuries. The first structure, Absalon's Castle, was built in 1167 by Bishop Absalon of Roskilde. In 1733, Christian VI of Denmark began construction of the first Christiansborg Palace, which was destroyed by fire in 1794. A second palace was built and used until 1884, when another fire devastated it. The current structure, completed in 1928, is in neo-Baroque style and features three crowns on the tower's spire to symbolize the palace's three restorations. The Three Crowns Tower is the tallest structure in Copenhagen and offers a breathtaking panoramic view of the city. The tower is decorated with three crowns, representing the palace's three reconstruction periods. The palace's architecture combines Baroque and Neoclassical elements, with artistic details that reflect Danish history and culture. In addition to the Three Crowns Tower, Christiansborg Palace is home to several attractions, including the Royal Apartments, the ruins of Absalon's Castle, the Royal Chapel and the Royal Stables. The Royal Apartments offer a glimpse into the lives of the Danish monarchs, with rooms decorated with portraits of the royal family and historic furnishings. The ruins of Absalon's Castle, dating back to the 12th century, are a unique opportunity to explore the ancient history of the site. Christiansborg Palace hosts cultural events, official ceremonies and guided tours that allow visitors to discover the history and architecture of the palace. The tower offers a panoramic view of Copenhagen and the harbor, making it a popular destination for tourists and locals alike.
The Three Crowns Tower at Christiansborg Palace is a symbol of resilience and renewal, representing the three periods of reconstruction of the palace. With its imposing architecture and panoramic views, the tower is one of Copenhagen’s most fascinating attractions. Visiting it is an enriching experience that allows you to immerse yourself in Danish history and culture.
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Christiansborg Palace is a royal palace in Copenhagen, Denmark, located on the small island of Slotsholmen (which means Castle Island), in the historic center of the capital, today the seat of the Danish Parliament, the offices of the Minister of State and the Supreme Court. Continue and learn more on Wikipedia
The Three Crowns Tower of Christiansborg Palace in Copenhagen – La tour des Trois Couronnes du palais de Christiansborg à Copenhague – La Torre de las Tres Coronas del Palacio de Christiansborg en Copenhague – A Torre das Três Coroas do Palácio de Christiansborg, em Copenhaga – Der Drei-Kronen-Turm des Schlosses Christiansborg in Kopenhagen – Tháp ba vương miện của Cung điện Christiansborg ở Copenhagen
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Santa Maria degli Angeli, Porziuncola, near Assisi. Also known as Porziuncola, it is one of the most sacred churches in Assisi. Located in the hamlet of the same name, this basilica is closely linked to the life of Saint Francis of Assisi. Porziuncola was built in the 12th century as a small chapel where Saint Francis would retreat to pray. In 1569, by order of Pope Pius V, work began on the construction of the large Basilica of Santa Maria degli Angeli to protect and guard the Porziuncola and other sacred places linked to Saint Francis. The basilica was completed in 1679. The basilica was designed by Galeazzo Alessi and Jacopo Barozzi da Vignola. The structure is in Baroque and Mannerist style, with a monumental façade that houses a gilded bronze statue of the Madonna. The interior is characterized by a central nave and two side naves, with side chapels. Inside the basilica are some of the most sacred places linked to Saint Francis: – The Porziuncola: The small chapel where Saint Francis retreated to pray and where he received the stigmata. – The Chapel of the Transit: The place where Saint Francis entered eternal life. – The Rose Garden: A garden where Saint Francis loved to retreat to meditate. The basilica hosts numerous celebrations and special events, including the liturgical feast of Saint Francis and other solemnities linked to his life and his message of peace and love for nature. The basilica also houses a museum with works of art and objects related to the life of Saint Francis and the history of the Porziuncola. Santa Maria degli Angeli is a place of great spiritual and historical importance, which attracts pilgrims from all over the world. Visiting it is a touching and enriching experience, which allows you to immerse yourself in the history and spirituality of St. Francis of Assisi.
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The Basilica of Santa Maria degli Angeli is a Roman Catholic church located in Assisi, in the hamlet of the same name, built to a design by Galeazzo Alessi with interventions by Jacopo Barozzi da Vignola starting from the second half of the sixteenth century. It has the dignity of a Papal Basilica and inside it is the Porziuncola, the chapel where Francis of Assisi gathered in prayer, and for this reason the center of Franciscan spirituality. At the top of the facade of the temple stands the statue of the Madonna in gilded bronze modeled by Colasanti and cast by the Fonderia Artistica Ferdinando Marinelli of Florence. Continue and learn more on Wikipedia
Saint Mary of the Angels, the Porziuncola – Santa Maria degli Angeli, la Porziuncola – Santa Maria degli Angeli, la Porciúncula – Santa Maria degli Angeli, a Porciúncula – Santa Maria degli Angeli, die Porziuncola – Santa Maria degli Angeli, Porziuncola
The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence. References: – https://www.porziuncola.org/basilica.html
The famous Fontana Maggiore in Perugia. The Fontana Maggiore is one of the masterpieces of Italian Gothic sculpture and one of the most iconic symbols of Perugia. Located in Piazza IV Novembre, this monumental fountain was built between 1278 and 1280 to celebrate the arrival of water in the city's acropolis, thanks to a new aqueduct. The Fontana Maggiore was designed by Frà Bevignate da Cingoli and built with the collaboration of artists and engineers such as Nicola and Giovanni Pisano and Boninsegna da Venezia. The structure is composed of three concentric basins, one on top of the other, decorated with stone and bronze sculptures. The lower basins are adorned with seventy-five sculptures representing mythological, historical and symbolic figures. The upper basin, of a circular shape, is surmounted by an enigmatic sculpture depicting three women holding an amphora from which water flows. This sculpture is a work of great beauty and symbolism, representing the importance of water for the city of Perugia. The Fontana Maggiore is not only a work of art, but also an example of medieval hydraulic engineering. It is a meeting and socializing place for citizens and visitors, who can admire its beauty and history. The fountain is located in Piazza IV Novembre, one of the main squares of Perugia, and can be visited for free at any time. It is a perfect place for a walk and to immerse yourself in the history and culture of the city. Visiting the Fontana Maggiore is an experience that combines artistic beauty, engineering and history, making it one of the most fascinating attractions in Perugia.
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The Fontana Maggiore, located in the center of Piazza IV Novembre (formerly Piazza Grande), is the symbolic monument of the city of Perugia. The monumental fountain was built by Umberto the Master between 1278 and 1280 to celebrate the arrival of water in the city's acropolis, thanks to the new aqueduct. Continue and learn more on Wikipedia
The famous Fontana Maggiore in Perugia – La célèbre Fontana Maggiore à Pérouse – La famosa Fontana Maggiore en Perugia – A famosa Fontana Maggiore em Perugia – A famosa Fontana Maggiore em Perugia – Fontana Maggiore nổi tiếng ở Perugia
The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
The magnificent cathedral of Barcelona. Barcelona Cathedral, also known as the Cathedral of the Holy Cross and Saint Eulalia, is one of the city's most iconic landmarks. Located in the heart of the Gothic Quarter, the cathedral is a magnificent example of Catalan Gothic architecture. Construction of the cathedral began in the 13th century and was completed in the 15th century. The main façade, with its intricate spires and stained glass windows, is one of the most iconic images of Barcelona. The cathedral is dedicated to Saint Eulalia, a young Christian martyr whose relics are kept in the crypt. The interior of the cathedral is equally impressive, with an ornate vaulted ceiling and numerous side chapels. Among the works of art housed inside, the carved wooden choir and the silver altarpiece of Saint Anne stand out. The stained glass windows add a touch of color and light to the sacred environment. One of the most fascinating elements of the cathedral is the cloister, an oasis of tranquility in the heart of the city. The cloister is known for its garden, which is home to thirteen white geese, the symbol of Saint Eulalia, who was thirteen years old at the time of her martyrdom. The cathedral is open to visitors every day, and tickets can be purchased online or directly on site. Guided tours are available in several languages and offer insights into the history and architecture of the place.
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The cathedral has been dedicated to the Santa Creu (Holy Cross) since 599, remembered every 3rd of May with a solemn blessing given to the entire city from the terraces of the church. Since 877, the church has also been dedicated to Saint Eulalia, the patron saint of Barcelona (12th February), a saint who was martyred in Roman times. Legend has it that the woman was exposed naked until, in mid-spring, snow fell to cover her body; the authorities of the time put her in a barrel with nails and rolled it down a narrow street that is now called Baixada de Santa Eulàlia. The dedication to the Holy Cross dates back to at least the 6th century. Continue and learn more on Wikipedia
The splendid cathedral of Barcelona – La splendide cathédrale de Barcelone – La espléndida catedral de Barcelona – A esplêndida catedral de Barcelona – Die prächtige Kathedrale von Barcelona – Nhà thờ lộng lẫy của Barcelona
The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence. References: – https://it.wikipedia.org/wiki/Cattedrale_di_Barcellona – https://catedralbcn.org/ – https://www.barcelona.com/it
The column-bearing lion of Santa Maria Maggiore in Bergamo. In the splendid square of the Cathedral of Bergamo Alta there is also this beautiful portal, called Porta dei Leoni, where two red marble lions support two columns. Since it is not the first column-bearing lion I have come across, I decided to make a specific post about it.
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The northern door, called the Red Lions, which opens into the left transept and leads to the Piazza del Duomo is surmounted by a porch by Giovanni da Campione, dated 1353 but with important renovations at the end of the fourteenth century, supported by columns held up by two lions in Veronese marble, depicted standing, and surrounded by figures of human beings and animals. Continue and learn more on Wikipedia
The column-bearing lion of Santa Maria Maggiore in Bergamo – Le lion stylophore de Santa Maria Maggiore à Bergame – El león estilóforo de Santa Maria Maggiore en Bérgamo – O leão estilóforo de Santa Maria Maggiore em Bérgamo – Der Griffellöwe von Santa Maria Maggiore in Bergamo – Sư tử Stylophore của Santa Maria Maggiore ở Bergamo
