The seductive forms of Casa Milà, known as La Pedrera, Barcelona. Casa Milà, also known as La Pedrera, is one of the most iconic buildings in Barcelona and one of the most famous works of the architect Antoni Gaudí. Located in the heart of the Eixample district, this masterpiece of modernist architecture attracts thousands of visitors from all over the world every year, fascinated by its innovative structure and bold design. Casa Milà was commissioned by Pere Milà i Camps and his wife, Roser Segimon, who wanted a luxurious and distinctive residence. Gaudí accepted the commission and worked on the project from 1906 to 1912. The result was a building that challenged the architectural conventions of the time, introducing organic forms and innovative structural solutions. The construction of Casa Milà was not without controversy. Gaudí’s bold forms and unconventional techniques attracted much criticism and opposition, so much so that the nickname “La Pedrera” (the stone quarry) was originally coined in a derogatory sense. However, over time, the building has been recognized as a masterpiece of modernist architecture. Casa Milà is famous for its sinuous forms and organic appearance, reminiscent of the waves of the sea. The stone facade is characterized by curved lines and irregular surfaces, without right angles, which give the building a dynamic and constantly moving appearance. The wrought iron balconies, designed by the artist Josep Maria Jujol, add an additional artistic touch with their intricate and almost vegetal designs. One of the most distinctive elements of Casa Milà is the roof, which houses a series of sculptural chimneys, air vents and ventilation towers. These elements are not only functional, but also form a true artistic landscape, transforming the roof into a unique panoramic terrace. The chimneys, in particular, are famous for their shapes that recall warriors or fantastic creatures. Gaudí implemented numerous structural innovations in Casa Milà. The building has no internal load-bearing walls, thanks to a steel and reinforced concrete structure that allows for great flexibility of the interior spaces. This approach made it possible to create apartments with free plans, adaptable to the needs of the residents. Another innovation was the use of a natural ventilation system, which used air currents to keep the interior of the building cool, reducing the need for artificial ventilation. In addition, Gaudí designed an underground garage, a very modern feature for the time. Casa Milà represents the pinnacle of Gaudí's modernist architecture and embodies his vision of an architecture integrated with nature. The organic forms, decorative details and innovative use of materials reflect Gaudí’s desire to create buildings that were in harmony with the natural environment and that responded to the functional needs of their inhabitants. In 1984, Casa Milà was added to the UNESCO World Heritage List, recognizing its universal value and its historical and artistic importance. Today, the building houses a cultural center and a museum dedicated to Gaudí’s life and work, offering visitors the opportunity to explore the original interiors and see his extraordinary creations up close. Visiting Casa Milà is an immersive experience that allows you to fully appreciate Gaudí’s brilliance. The interior spaces, with their flowing lines and decorative details, offer a fascinating glimpse into life in the Modernista era. The roof terrace, with its stone sculptures, offers panoramic views of the city of Barcelona and is one of the highlights of the visit. The museum inside Casa Milà presents a wide range of informative materials, models and objects that illustrate Gaudí's creative process and the history of the building's construction. Interactive displays and thematic routes make the visit educational and engaging for visitors of all ages.
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This is the official website of the house: lapedrera.com.
Here is where the palace is located:
Casa Milà was built between 1906 and 1913 by Antoni Gaudí in Barcelona, Spain, at number 92 Passeig de Gràcia, in the expansion area of Eixample, commissioned by Roser Segimon and Pere Milà. Casa Milà is located in the heart of the Eixample, a neighborhood that arose in the second half of the 19th century based on a design by Ildefons Cerdà i Sunyer, who resolved the dramatic housing emergencies of the historic neighborhood by building a dense network of wide, perpendicular, uniform streets and large, airy, bright building complexes. Continue and learn more on Wikipedia
The seductive shapes of Casa Milà, known as La Pedrera, Barcelona – Les formes convaincantes de la Casa Milà, connue sous le nom de la Pedrera, Barcelone – Las formas persuasivas de la Casa Milà, conocida como la Pedrera, Barcelona – As formas persuasivas da Casa Milà, conhecida como la Pedrera, Barcelona – Die überzeugenden Formen der Casa Milà, bekannt als la Pedrera, Barcelona – Những hình dáng đầy sức thuyết phục của Casa Milà, được mệnh danh là la Pedrera, Barcelona
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The statue of a lion in the port of Bergen in Norway. Walking in the center of Bergen, more or less in the area of the fish market, you find this beautiful and imposing bronze statue of a lion.
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The statue of a lion in the port of Bergen in Norway – La statue d’un lion dans le port de Bergen en Norvège – La estatua de un león en el puerto de Bergen en Noruega – A estátua de um leão no porto de Bergen, na Noruega – Die Statue eines Löwen im Hafen von Bergen in Norwegen – Tượng sư tử ở cảng Bergen ở Na Uy
The Dialogue Fountain in Piazza Garibaldi in La Spezia. The Dialogue Fountain, located in Piazza Garibaldi in La Spezia, is one of the most significant contemporary works of art in the city. Created by the artist Viliano Tarabella in 2002, the fountain is a symbol of communication and connection, reflecting the values of openness and exchange that characterize the community of La Spezia. The Dialogue Fountain is composed of two circular granite structures that emerge from the ground and seem to communicate with each other. The two forms, despite being separate, are interconnected by the flow of water that continuously flows between them, symbolizing the idea of perpetual dialogue and constant interaction. This design choice evokes a sense of harmony and cooperation, fundamental elements in human communication. Water, the central element of the work, flows delicately between the two structures, creating a play of reflections and sounds that enriches the visual and sensorial experience of visitors. The smooth surface of the granite and the continuous movement of the water give the fountain a sense of fluidity and tranquility, inviting reflection and contemplation. The dialogue represented by the fountain is not only a conversation between two physical entities, but a broader symbol of dialogue between cultures, generations and ideas. In an era characterized by rapid change and global interconnections, Mangiarotti's work takes on an even deeper meaning, recalling the importance of open communication and mutual respect. Piazza Garibaldi, with its central location and lively daily activity, is the ideal place to host the Fontana del Dialogo. The square is a meeting point for residents and tourists, and the fountain serves as a visual and symbolic fulcrum, inviting people to stop and reflect on the value of dialogue in modern society.
Since its inauguration, the Fontana del Dialogo has received widespread acclaim from both critics and the public. It has quickly become a landmark in the city of La Spezia, not only as a work of art, but also as a place for meeting and social interaction. The fountain is often used as a backdrop for cultural events and public demonstrations, underlining its central role in community life.
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Where is the fountain located:
The Fountain of Dialogue is in the center of Piazza Garibaldi in La Spezia. Made of Carrara marble by the sculptor Viliano Tarabella, it was inaugurated in 2002. The design choice of architects Antonio Leone and Cesarina Zanetti proposed a monument intended as a place to stop, sit and interact with passers-by, at the beginning of the historic Via Prione. For this purpose, the entire ring of the balustrade of the basin, intentionally smooth, is made available as a seat near the water itself, whose clarity is enhanced by the light color of the bottom of the basin. Continue and learn more on Wikipedia
The Fountain of Dialogue in Piazza Garibaldi in La Spezia – La Fontaine du Dialogue sur la Piazza Garibaldi à La Spezia – La Fuente del Diálogo en Piazza Garibaldi en La Spezia – A Fonte do Diálogo na Piazza Garibaldi em La Spezia – Der Dialogbrunnen auf der Piazza Garibaldi in La Spezia – Đài phun nước đối thoại ở quảng trường Garibaldi ở La Spezia
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The ancient Roman Amphitheatre of Assisi. In the picturesque town of Assisi, famous for its medieval and spiritual atmosphere, lies an archaeological treasure of inestimable historical value: the Roman Amphitheatre. This ancient monument, dating back to the Roman imperial era, represents not only a piece of the city's history, but also a tangible symbol of the passage of centuries and cultures that have shaped the Umbrian territory. The Roman Amphitheatre of Assisi was built during the 1st century AD, during a period of great expansion of the Roman Empire. Located on the northern edge of the ancient city, the amphitheatre was a hub of recreational and social activities for the inhabitants of Assisium (the ancient name of Assisi). This monument bears witness to the past glories of the Empire, when Assisi was an important Roman urban center. The amphitheater was built according to the classical Roman model: an elliptical structure with steps that could accommodate thousands of spectators. Used for gladiator fights, circus games and other public events, the amphitheater was a place where the power and greatness of the Roman Empire was displayed. Over the years, the Roman Amphitheater has been the subject of various archaeological excavations that have brought to light numerous finds, including remains of walls, underground corridors and architectural decorations. These findings have allowed archaeologists to accurately reconstruct the original structure and better understand daily life in the Roman city of Assisi. The amphitheater has been carefully preserved to preserve its integrity and make it accessible to the public. Today, visitors can admire the ruins of the ancient structure and immerse themselves in Assisi’s thousand-year history through guided tours and informative exhibits on site. The Roman Amphitheater is not only a testament to ancient Roman grandeur, but also a major tourist attraction for Assisi. With its imposing and evocative presence, the amphitheater attracts visitors from all over the world eager to explore Umbria’s cultural and archaeological heritage. For local residents, the amphitheater is a point of historical pride and a symbol of the city’s continuity through the centuries. Its presence in the urban fabric of Assisi enriches its cultural identity and strengthens its connection with its Roman past.
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The ancient Roman Amphitheatre of Assisi – L’ancien amphithéâtre romain d’Assise – El antiguo anfiteatro romano de Asís – O antigo Anfiteatro Romano de Assis – Das antike römische Amphitheater von Assisi – Nhà hát vòng tròn La Mã cổ đại của Assisi
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Spoleto Cathedral: a masterpiece of art and history. Spoleto Cathedral, also known as the Cathedral of Santa Maria Assunta, is one of the architectural jewels of Umbria. Located in the heart of the city of Spoleto, this magnificent building is an extraordinary example of Romanesque architecture, enriched with Gothic and Renaissance elements. The construction of the Cathedral began in the 12th century, after the destruction of the previous cathedral by the troops of Frederick Barbarossa. The façade, completed in 1207, is characterized by a Byzantine mosaic depicting Christ Blessing, the work of the master Solsternus. This mosaic is one of the oldest and most precious examples of Byzantine art in Italy. The interior of the Cathedral is equally fascinating, with a central nave and two side naves that lead to the apse frescoed by Filippo Lippi. The frescoes, created between 1467 and 1469, narrate episodes from the life of the Virgin Mary and are considered among the masterpieces of the Italian Renaissance. The cathedral also houses a 12th-century crucifix by Alberto Sozio and a 14th-century polychrome wooden statue of the Madonna. Next to the cathedral stands the bell tower, built in the 15th century, which offers a breathtaking panoramic view of the city of Spoleto. The cathedral complex also includes the Diocesan Museum and the Basilica of Sant’Eufemia, which houses works of sacred art and historical artifacts of great value. The Spoleto Cathedral is not only a place of worship, but also a center of cultural activities. Every year, the cathedral hosts concerts, exhibitions and events that attract visitors from all over the world. The “Art of the Spirit” itinerary allows you to explore the monumental complex in depth, admiring the works of art up close and discovering historical curiosities. Visiting the Spoleto Cathedral is an unforgettable experience. Whether you are a history buff, an art lover or simply looking for a place of peace and reflection, you will find in this cathedral a treasure trove of beauty and spirituality.
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Where is the cathedral located:
The cathedral was built between 1151 and 1227 on the site of a pre-existing building; it was part of the Vaita De Domo. It was consecrated by Pope Innocent III in 1198. Inside, in the apse, there is the valuable cycle of frescoes by Filippo Lippi Stories of the Virgin, painted in the last years of the artist's life, between May 1467 and September 1469. Continue and learn more on Wikipedia
The Cathedral of Spoleto: a masterpiece of art and history – Cathédrale de Spolète : un chef-d’œuvre d’art et d’histoire – Catedral de Spoleto: una obra maestra de arte e historia – Catedral de Spoleto: uma obra-prima de arte e história – Kathedrale von Spoleto: ein Meisterwerk der Kunst und Geschichte – Nhà thờ Spoleto: một kiệt tác nghệ thuật và lịch sử
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The Angelo Mai Civic Library in Bergamo Alta. Located in the heart of Bergamo Alta, the Angelo Mai Civic Library is one of the most prestigious cultural institutions in the city. Founded in 1768 thanks to the legacy of Cardinal Giuseppe Alessandro Furietti, the library is located in the magnificent Palazzo Nuovo, which overlooks the historic Piazza Vecchia. The Angelo Mai Library houses a book collection of approximately 700,000 volumes, including 11,000 periodicals, 2,150 incunabula and over 12,000 sixteenth-century books. In addition to books, the library houses a vast collection of prints, autographs, manuscripts, photographs and works of art, making it one of the most important historical libraries in Italy. The Palazzo Nuovo, which houses the library, is an architectural masterpiece designed by architect Vincenzo Scamozzi and completed in 1958. The white Zandobbio marble façade and the entrance loggia, designed by Andrea Ceresola, give the building a neoclassical elegance that blends in perfectly with the other historical buildings in the square. The Angelo Mai Civic Library is not only a place of conservation, but also a center for cultural activities. It offers a wide range of services, including online catalog consultation, cultural events, exhibitions and concerts. Recently, the library has started a restoration project of the Scamozziano Atrium, which will be completed in January 2025. Visiting the Angelo Mai Civic Library means immersing yourself in an environment rich in history and culture. Whether you are a researcher, a student or simply a book lover, you will find in this place a treasure trove of knowledge and inspiration.
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The Angelo Mai Civic Library of Bergamo is the main historical preservation institution of the Bergamo library circuit. It is located in the Palazzo Nuovo in the Upper Town, which, opposite the Palazzo della Ragione, closes Piazza Vecchia to the north-east. It was founded between the end of the 1860s and the beginning of the 1870s when the book legacy that Cardinal Alessandro Giuseppe Furietti had made to the city was made available to the citizens. Its first location was in a room of the Palazzo Nuovo which housed the Municipality. Transferred in 1797 to the rectory of the Cathedral, from 1843 it was located in the Palazzo della Ragione until, in 1928, it returned to its original location, now occupying the entire building. Continue and learn more on Wikipedia
The Angelo Mai Civic Library in Bergamo Alta – La bibliothèque municipale Angelo Mai de Bergame Haute – La biblioteca cívica Angelo Mai en Bérgamo Alta – A biblioteca cívica Angelo Mai em Bergamo Alta – Die Stadtbibliothek Angelo Mai in Bergamo Alta – Thư viện công dân Angelo Mai ở Bergamo Alta
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Varese Ligure Castle: a journey through time. Located in the heart of the Val di Vara, Varese Ligure Castle is an architectural jewel that tells centuries of history and traditions. Built in the 15th century by the Fieschi counts, the castle dominates the main square of the village, offering visitors a breathtaking spectacle and a dive into the past. The castle was built as part of an ambitious urban project known as “Borgo Rotondo”, characterized by its elliptical shape and the stone houses that surround the central square. This unique structure not only served defensive purposes, but also facilitated the commercial and social activities of the village. Walking through the castle, you can admire the two main towers: the Torre del Piccinino, built in 1435, and the cylindrical tower built between 1472 and 1479. These towers, with their imposing walls and architectural details, testify to the strategic importance of the castle in controlling the communication routes between the Ligurian coast and the Emilian hinterland. Today, the Castle of Varese Ligure is well preserved and can be visited on special occasions. Its fascinating history and architectural beauty make it an unmissable destination for anyone wishing to explore the wonders of Liguria. The Castle of Varese Ligure is not only a historical monument, but also a symbol of the rich cultural heritage of the region. A visit to this castle offers a unique opportunity to immerse yourself in history and appreciate the architectural mastery of centuries past.
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Where is the castle located:
The Fieschi Castle was a military and defensive building in Varese Ligure, in the province of La Spezia, located in Piazza Castello. Built by the Fieschi counts in the Middle Ages, the castle completed the new urban work started by the Fieschi feudal lords in the center of Varese and which was called “Borgo Rotondo”, for its elliptical shape, a sort of “fortified citadel”. Continue and learn more on Wikipedia
Varese Ligure Castle: a journey through time – Le Château de Varese Ligure : un voyage dans le temps – El Castillo de Varese Ligure: un viaje en el tiempo – O Castelo de Varese Ligure: uma viagem no tempo – Das Schloss von Varese Ligure: eine Reise durch die Zeit – Lâu đài Varese Ligure: cuộc hành trình xuyên thời gian
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The Castellani Chapel in the Basilica of Santa Croce in Florence. The Basilica of Santa Croce in Florence, famous for being the burial place of illustrious Italian personalities, is home to several chapels of extraordinary artistic and historical value. Among these, the Castellani Chapel stands out for its rich history and cultural significance. The Castellani Chapel takes its name from the Castellani family, one of the oldest and most influential Florentine families. Located along the right side of the main nave of the basilica, the chapel was commissioned by the family during the 14th century, a period of great prosperity for Florence. The Castellani family, known for their devotion and patronage, wanted to create a sacred space that reflected their faith and social status. The architectural structure of the chapel follows the typical Florentine Gothic style, characterized by pointed arches and cross vaults. The walls of the chapel are enriched with frescoes and stucco decorations, which show the mastery of the artists of the time. One of the most notable features of the Castellani Chapel is the cycle of frescoes created by Agnolo Gaddi, a famous 14th-century painter. These frescoes, which represent scenes from the life of St. John the Evangelist and the Virgin Mary, are exemplary of Florentine Gothic for their chromatic vivacity and the delicacy of the figures. Over the centuries, the chapel has undergone various restoration interventions to preserve its works of art. One of the most significant restorations was carried out in the 19th century, when the chapel was the subject of a large recovery campaign that allowed the original beauty of the frescoes to be returned to the public. The Castellani Chapel is not only a place of worship, but also a symbol of the rich cultural and historical heritage of Florence. It represents a tangible example of the patronage of Florentine families and their contribution to the development of art and architecture in the city. Every year, thousands of tourists visit the Basilica of Santa Croce to admire its many chapels, including the Castellani Chapel, evidence of an era in which Florence was at the center of the Renaissance and European culture.
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The Castellani Chapel, with a double span, was frescoed by his son Agnolo Gaddi with assistants and presents Stories of the saints Anthony the Abbot, John the Baptist, John the Evangelist and Nicholas of Bari. The tabernacle of the chapel is the work of Mino da Fiesole, while the painted cross is by Niccolò Gerini. The statues of the Robbian school represent Saint Francis and Saint Dominic, while among the tombstones, the one of Luisa Stolberg, Countess of Albany, stands out, a work in neo-Renaissance style by Luigi Giovannozzi and Emilio Santarelli based on a design by Charles Percier. Continue and learn more on Wikipedia
The Castellani Chapel in the Basilica of Santa Croce in Florence – La chapelle Castellani dans la basilique Santa Croce de Florence – La Capilla Castellani en la Basílica de Santa Croce en Florencia – A Capela Castellani na Basílica de Santa Croce em Florença – Die Castellani-Kapelle in der Basilika Santa Croce in Florenz – Nhà nguyện Castellani trong Vương cung thánh đường Santa Croce ở Florence
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La Lanterna di Genova vista dalla spianata di Castelletto. La Lanterna di Genova, il maestoso faro che domina il porto della città ligure, non è solo una guida per i naviganti, ma anche un simbolo storico e culturale che racconta secoli di storia marittima e urbana. Con i suoi 77 metri di altezza, è il faro più alto d’Italia e il secondo d’Europa, un monumento che da oltre 900 anni veglia sulla città e sulle sue acque. Le origini della Lanterna risalgono al XII secolo. La struttura attuale, però, è stata ricostruita nel 1543 dopo essere stata danneggiata in vari assedi e guerre. Il faro è stato da sempre un punto di riferimento cruciale per i marinai, guidandoli sicuri verso il porto di Genova. Originariamente, il faro funzionava con fuochi alimentati da legna o carbone, per poi passare all’olio e infine all’elettricità. La Lanterna è composta due ordini di sezione quadrata e separati da una terrazza. Il basamento, in pietra locale, è di forma quadrata e le mura hanno uno spessore che varia dai 4 metri alla base ai 2,5 metri in cima. La struttura è decorata con il simbolo della città, la croce di San Giorgio, e si distingue per la sua sobria eleganza e robustezza. La scala interna, con i suoi 365 gradini, conduce alla sommità dove si trova la lanterna vera e propria. La luce del faro, un tempo alimentata a olio, oggi è completamente automatizzata e ha una portata luminosa di circa 25 miglia nautiche. Oltre alla sua funzione primaria di guida per le navi, la Lanterna ha assunto un ruolo importante come attrazione turistica e culturale. All’interno del complesso della Lanterna si trova un museo multimediale che racconta la storia del faro e del porto di Genova. Il percorso museale offre una panoramica sulla vita marittima, l’evoluzione delle tecnologie di navigazione e l’importanza del porto per l’economia della città. La Lanterna è molto più di un semplice faro; è un emblema della città di Genova e della sua lunga tradizione marinara. È un luogo dove i genovesi possono riscoprire le loro radici e i turisti possono ammirare una vista mozzafiato sulla città e sul mare. La Lanterna è spesso rappresentata in opere d’arte, letteratura e manifestazioni culturali, incarnando lo spirito indomabile e l’orgoglio dei genovesi.
The Lanterna di Genova is a monument that embodies the history, culture and maritime tradition of one of the most important port cities in the Mediterranean. Every stone, every step of this structure tells a story of sailors, trade, wars and rebirths. It is a lighthouse not only for ships sailing the sea, but also for generations of Genoese who see in it a symbol of their identity and their thousand-year history.
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The Lanterna of Genoa (or simply “Lanterna”, in Genoese a Lanterna de Zena or a Lanterna) is the port lighthouse of the capital of Liguria, the city once defined as the Superb or Dominant of the seas. Per secoli strumento indispensabile alla navigazione notturna delle navi in entrata e uscita dal porto, la Lanterna è anche il monumento simbolo cittadino, quasi un totem alla genovesità, e come tale fa parte della storia della città. Continue and learn more on Wikipedia
The Lantern of Genoa seen from the Castelletto esplanade – La Lanterne de Gênes vue de l’esplanade de Castelletto – La Linterna de Génova vista desde la explanada de Castelletto – A Lanterna de Gênova vista da esplanada de Castelletto – Die Laterne von Genua von der Castelletto-Promenade aus gesehen – Đèn lồng Genoa nhìn từ lối đi dạo Castelletto
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The ancient portal of the Admiral's Palace in the alleys of Cadiz. A beautiful portal, in the historic center of the Spanish city, not far from the cathedral. As I read on the internet: “The Admiral's House was built by the Admiral of the Fleet of the Indies, Diego de Barrios, in the 17th century. The facade is made of Genoa marble“.
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It is probably the oldest city founded in the western Mediterranean area by the Phoenicians in the 11th century BC, although its birth is now officially dated back to the end of the 8th century BC. Founded with the original name of Gadir (in Phoenician: Gdr, fortress, with the same etymology as Agadir in Morocco) on what was once a small archipelago and now a single island, to exploit the rich trade routes with the Atlantic Ocean in the copper and tin trade. In ancient Greece it was known as Gadeira and in the times of the Roman Empire as Gades from which the current gentilic name of gaditano derives. Continue and learn more on Wikipedia
The ancient portal of the Admiral’s palace in the alleys of Cadiz – L’ancien portail du palais de l’amiral dans les ruelles de Cadix – El antiguo portal del palacio del Almirante en las callejuelas de Cádiz – O antigo portal do palácio do almirante nas vielas de Cádiz – Das alte Portal des Admiralspalastes in den Gassen von Cadiz – Cổng cổ của cung điện Đô đốc trong các con hẻm của Cadiz