Category: Immagini di monumenti, edifici ed opere d’arte

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The beautiful Fuga gate in the city of Spoleto

La bella Porta Fuga nella città di Spoleto

The beautiful Porta Fuga in the city of Spoleto.
The city of Spoleto, located in the heart of Umbria, is rich in history and charm. Among its most precious treasures is the Porta Fuga, an ancient gate that tells stories of courage and resistance.
The Porta Fuga takes its name from a legendary episode that occurred in 217 BC. During Hannibal's invasion, the inhabitants of Spoleto managed to repel the Carthaginian army by throwing boiling oil from the nearby Torre dell'Olio. This act of heroic defense gave the gate its name, which means "gate of escape", in reference to the invaders' retreat.
Originally built during the Roman era, the Porta Fuga has been subsequently modified over the centuries. Experts believe that the current structure dates back to the late 12th century. The gate was raised in 1655 for the visit of Christina of Sweden, and these changes are still visible today.
Today, Porta Fuga is not only a historical monument, but also a symbol of Spoleto’s identity and resilience. Walking along Via Porta Fuga, you can almost hear the echoes of past battles and imagine the determination of the ancient Spoletini.
For those visiting Spoleto, Porta Fuga is a must-see. Located in the first city wall, it offers a fascinating glimpse into Spoleto’s defensive past. Not far away is the Torre dell’Olio, another historic structure that completes the picture of this legendary era.
Porta Fuga is more than just a gate; it is a silent witness to Spoleto’s history. Every stone tells a story of courage and resistance, making this place a key point of interest for anyone who wants to discover the deep roots of this fascinating Umbrian city.

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Photo taken with Canon EOS RP and lens Canon RF 24-50.

To see all the photos I took in the city click here:

Where is the gate located:

The street takes its name from the gate that was part of the city walls in Roman times, before the medieval development of the village of San Gregorio. Later it took the name of Porta Fuga to allude to the legendary episode of the expulsion of Hannibal's Carthaginian army under the walls of Spoleto (217 BC), driven away by the jet of boiling oil that the people of Spoleto threw from the nearby Torre dell'Olio.
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The beautiful Fuga gate in the city of Spoleto – La belle porte d’évasion dans la ville de Spoleto – La hermosa puerta de escape en la ciudad de Spoleto – A bela porta de fuga na cidade de Spoleto – Die schöne Fluchttür in der Stadt Spoleto – Cửa thoát hiểm tuyệt đẹp ở thành phố Spoleto

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.

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The Baptistery of the Cathedral of Bergamo

Il Battistero della Cattedrale di Bergamo

The Baptistery of the Cathedral of Bergamo.
In the heart of the upper city of Bergamo, surrounded by ancient walls and narrow cobbled streets, stands the imposing Cathedral of Sant’Alessandro, one of the most important testimonies of sacred art in Lombardy. Among its most precious gems stands out the Baptistery, a structure of great artistic and historical importance that enchants visitors with its beauty and intrinsic spirituality.
The Baptistery of the Cathedral of Bergamo, dedicated to St. John the Baptist, dates back to the medieval period, with some parts dating back to the 9th century. Its architecture reflects the Romanesque style, with subsequent Gothic and Renaissance influences, testimony to the different historical periods that have shaped the city over the centuries.
The external structure of the Baptistery is characterized by a simple but elegant façade, adorned with blind arches, pilasters and a portal decorated with sacred sculptures. Inside, medieval frescoes and Renaissance architectural elements create an atmosphere of sacredness and contemplation.
One of the most precious treasures of the Baptistery are the frescoes that adorn its walls, dating back mainly to the 13th and 14th centuries. These works of sacred art, created by anonymous artists of the time, narrate biblical stories and scenes from the life of St. John the Baptist, giving life to the faith and devotion of the faithful.
Among the most famous frescoes is the cycle of the life of St. John the Baptist, which includes episodes such as his miraculous birth, his ministry in the desert and his martyrdom. The vivid representations and the skillful use of color give them a timeless charm, taking visitors on a spiritual journey through the history of Christianity.
The Baptistery is a place of great spiritual importance for the faithful of Bergamo and for visitors seeking reflection and contemplation. It is here that many Christians receive the sacrament of baptism, a rite of initiation into the Christian faith that symbolizes spiritual rebirth and communion with God.
In addition to its liturgical function, the Baptistery also represents a symbol of the continuity of the Christian faith throughout the centuries. Generations of believers who have come and gone have left their mark on this sacred place, helping to preserve its beauty and historical importance for future generations.
The Baptistery of Bergamo Cathedral is open to visitors who wish to admire its artistic beauty and experience a moment of spirituality. Tourists can take part in guided tours organized by the local diocese or explore the Baptistery on their own, allowing themselves to be enchanted by its works of art and its evocative atmosphere.

In conclusion, the Baptistery of the Cathedral of Bergamo represents a masterpiece of sacred art and a place of profound spiritual significance. With its fascinating architecture, its breathtaking decorations and its thousand-year history, it continues to inspire and uplift those who visit it, offering them a unique experience of beauty and contemplation.

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Il Battistero della Cattedrale di Bergamo

Photo taken with Canon EOS RP and lens Canon RF 24-50.

This is the official website of the Cathedral: cattedraledibergamo.it.

To see all the photos I took in Bergamo, click here:

Where is the baptistery located:

The Baptistery of Bergamo is the building intended for the baptismal rite, built in the 14th century by Giovanni da Campione, and preserved since 1900 in the Piazza del Duomo of Bergamo, in front of the Basilica of Sant’Alessandro. Since the 10th century in Bergamo there were several churches, among these one dedicated to San Vincenzo, the episcopal residence, established by Bishop Adalberto and the church of Santa Maria Vetus intended to be the baptismal church.
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The Baptistery of the Cathedral of Bergamo – Le Baptistère de la Cathédrale de Bergame – El Baptisterio de la Catedral de Bérgamo – O Batistério da Catedral de Bérgamo – Das Baptisterium der Kathedrale von Bergamo – Nhà rửa tội của Nhà thờ Bergamo

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The fountain of San Ruffino in Assisi

La fontana di San Ruffino ad Assisi

The Fountain of San Ruffino in Assisi.
The Fountain of San Rufino is one of the historic attractions of Assisi, located in the picturesque Piazza San Rufino, a few steps from the Cathedral of San Rufino. Built in 1532, the fountain served as one of the main sources of fresh water for the city.
This fountain, with its long rectangular stone basin, looks more like a large drinking trough than a traditional fountain. It is set into the wall of the Palazzo Sermatti, which extends along one side of the square. The fountain is decorated with six lions' heads, from which the water flows, creating a suggestive and historical atmosphere.
The Piazza San Rufino, where the fountain is located, is a place of great historical and cultural importance. The adjacent cathedral, dedicated to San Rufino, is a magnificent example of Romanesque architecture and houses numerous artistic and historical treasures. The fountain itself is a symbol of Assisi’s daily life in the past, when public fountains were essential to the community.
Today, the Fountain of San Rufino is a landmark for tourists visiting Assisi. It is a great place to stop and take some photos, enjoying the beauty and tranquility of the square. While a visit to the fountain may only take a few minutes, it is an experience that enriches one’s understanding of Assisi’s history and culture.

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La fontana di San Ruffino ad Assisi

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Here's where the fountain is located:

The central portal in particular is richly decorated, especially in the multiple ring decorated with reliefs of vine shoots, spirals, allegorical figures and monstrous animals; the lunette hosts Christ enthroned within a shield, between the sun, the moon, the Madonna breastfeeding and Saint Rufino.
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The fountain of San Ruffino in Assisi – La fontaine de San Ruffino à Assise – La fuente de San Rufino en Asís – A fonte de San Ruffino em Assis – Der Brunnen von San Ruffino in Assisi – Đài phun nước San Ruffino ở Assisi

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.

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The Polyptych of St. Anthony by Piero della Francesca

Il Polittico di Sant'Antonio di Piero della Francesca alla Galleria Nazionale di Perugia

The Polyptych of St. Anthony by Piero della Francesca at the National Gallery of Perugia.
Visiting the beautiful National Gallery of Umbria, in Perugia, I had the opportunity to see wonderful works of art.
Like this polyptych made by the famous Piero della Francesca.

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Il Polittico di Sant'Antonio di Piero della Francesca alla Galleria Nazionale di Perugia

Photo taken with Canon EOS RP and lens Canon RF 24-50. Permission was requested from security personnel to take and post the photos on the site.

The official website of the Museum is this: gallerianazionaledellumbria.it.

To see all the photos I took in the museum, click here:

The work, intended for the convent of Sant’Antonio in Perugia, was begun shortly after the artist’s return from Rome, around 1460. Like the Polyptych of Mercy, it is a work of archaic style, certainly at the request of the patrons, with the main figures painted on a precious gold background and with a motif that imitates precious fabrics, perhaps inspired by Iberian models that the artist may have seen during his stay in Rome. The upper panel of the Annunciation is decidedly modern.
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The Polyptych of St. Anthony by Piero della Francesca at the National Gallery of Perugia – Le Polyptyque de Saint Antoine de Piero della Francesca à la Galerie Nationale de Pérouse – El Políptico de San Antonio de Piero della Francesca en la Galería Nacional de Perugia – O Políptico de Santo António de Piero della Francesca na Galeria Nacional de Perugia – Das Polyptychon des Heiligen Antonius von Piero della Francesca in der Nationalgalerie von Perugia – Bức tranh Polyptych của Thánh Anthony của Piero della Francesca tại Phòng trưng bày Quốc gia Perugia
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The Contarini fountain in Bergamo Alta

La centrale Fontana Contarini in Bergamo Alta

The Contarini fountain in Bergamo Alta.
When you get up to visit Bergamo you go up to the central square of the village, Piazza Vecchia, in the center of which there is this beautiful marble fountain decorated with sphinxes and lions and a couple of zoomorphic figures.

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La centrale Fontana Contarini in Bergamo Alta

Photo taken with Canon EOS RP and lens Canon RF 24-50.

To see all the photos I took in Bergamo, click here:

Where is the fountain located:

The fountain owes its name to Alvise Contarini, podestà of the Republic of Venice, who donated it to the citizens in 1780, when he left his position in the Orobic city. The intention of the then city rector was both to beautify the central Piazza Vecchia, and to provide the inhabitants with a precious instrument that could be used for domestic purposes and against drought.
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The famous Contarini Fountain in Bergamo Alta – La célèbre fontaine Contarini à Bergame Alta – La famosa Fuente Contarini en Bérgamo Alta – A famosa Fonte Contarini em Bergamo Alta – Der berühmte Contarini-Brunnen in Bergamo Alta – Đài phun nước Contarini nổi tiếng ở Bergamo Alta
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The monument to Vittorio Emanuele II in Milan

Il monumento a Vittorio Emanuele II in piazza del Duomo a Milano

The monument to Vittorio Emanuele II in Piazza del Duomo in Milan.
This equestrian statue of Vittorio Emanuele II was placed dominating the enormous square of the Milanese cathedral.

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Photo taken with Canon EOS RP and lens Canon RF 24-50.

Click here if you want to see all the photos I took:
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Here's where the statue is located:

The monument to Vittorio Emanuele II is a sculptural group located in the center of Piazza del Duomo in Milan. It was solemnly inaugurated on June 24, 1896. The monument was commissioned to the Italian sculptor Ercole Rosa by King Umberto I upon the death of his father Vittorio Emanuele in 1878, but was placed in the center of the square only in 1896 as the sculptor died before completing it.
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The monument to Vittorio Emanuele II in the cathedral square in Milan – Le monument à Vittorio Emanuele II sur la place de la cathédrale de Milan – El monumento a Vittorio Emanuele II en la plaza de la catedral de Milán – O monumento a Vittorio Emanuele II na praça da catedral de Milão – Das Denkmal für Vittorio Emanuele II. auf dem Domplatz in Mailand – Tượng đài Vittorio Emanuele II tại quảng trường nhà thờ ở Milan
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Details of the Arch of Victory in Genoa

Particolari dell'Arco della Vittoria a Genova

Details of the Arch of Victory in Genoa.
Located in the heart of the beautiful port city of Genoa, the Arch of Victory is a tangible testimony to the glorious history and rich culture of the city. This majestic monument, erected to commemorate the Italian military victories during the First World War, stands as a symbol of resilience, determination and hope.
The Arch of Victory, also known as the “Arch of Triumph”, was designed by the architect Marcello Piacentini and inaugurated in 1931. Its construction was commissioned by the fascist regime of Mussolini to celebrate the Italian victories in the Great War and to honor the fallen.
This imposing monument, characterized by a neoclassical structure and allegorical decorations, represents a tribute to military strength and patriotic sacrifice. The inscriptions engraved on its facades commemorate the battles and heroes who defended the country’s honor and freedom.
The Arch of Victory is a superb example of monumental architecture, characterized by clean lines, harmonious proportions and intricate details. Its imposing shape and Corinthian columns evoke the ancient traditions of Roman architecture, while the allegorical sculptures and decorations add a touch of grandeur and symbolism.
At the top of the arch, a bronze quadriga drawn by four horses represents the triumphal victory, symbolizing the triumph of the Italian nation over enemy forces. This extraordinary work of art embodies the power and determination of the Italian people in pursuing victory and peace.
Today, the Arch of Victory remains not only a historical monument, but also an iconic landmark and a meeting place for the citizens of Genoa and visitors from around the world. It is a symbol of national unity and hope for a better future, a reminder that peace and prosperity can be achieved through cooperation and mutual respect.
Despite the historical controversies surrounding its construction and meaning, the Arch of Victory continues to inspire and provoke reflection on human nature and the consequences of war. It is a reminder that, even in the darkest of situations, the light of hope and dignity can still shine, guiding future generations towards a world of peace, tolerance and mutual understanding.
Ultimately, the Arch of Victory in Genoa is much more than just a monument; it is a monument to resilience, military glory and the perpetual pursuit of peace and justice in the world.

“Genova, i figli morti per la Patria
combattendo in terra in mare in cielo
alla gloria dei secoli, superba consacra
MCMXV, MCMXVIII”

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Particolari dell'Arco della Vittoria a Genova

Photo taken with Canon EOS RP and lens Tamron 16-300.

Where is the monument located:

The Arch of Victory, also known as the Monument to the Fallen or the Arch of the Fallen, is an imposing triumphal arch, built during the fascist regime, located in Piazza della Vittoria in Genoa. It is dedicated to the Genoese who fell during the First World War and was inaugurated on May 31, 1931.
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Details of the Arch of Victory in Genoa – Détails de l’Arc de la Victoire à Gênes – Detalles del Arco de la Victoria en Génova – Detalhes do Arco da Vitória em Gênova – Details zum Siegesbogen in Genua – Thông tin chi tiết về Khải Hoàn Môn ở Genoa

The text of the post was written with the help of ChatGPT, a language model from OpenAI.

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The Equestrian Statue of Frederick VII in Copenhagen

La Statua equestre di Federico VII a Copenaghen

The Equestrian Statue of Frederick VII in Copenhagen.
It is one of the most fascinating monumental works in Copenhagen, located in the main square of Christiansborg Slot. This monument not only celebrates an important king in Danish history, but also represents a symbol of democracy and modernization of the country.
Frederick VII was King of Denmark from 1848 to 1863 and played a crucial role in Denmark's transition to a constitutional monarchy. His reign is remembered for the granting of the country's first liberal constitution in 1849, which marked the birth of Danish democracy. The equestrian statue, therefore, is not only a tribute to his royal figure, but also a symbol of freedom and progress for the Danish people.
The statue, made of bronze, portrays Frederick VII on horseback in a majestic and authoritative pose. The work was created by the Danish sculptor Herman Wilhelm Bissen and inaugurated in 1873, ten years after the king's death. Frederick VII is depicted in military dress and with a solemn gesture, underlining his role as a leader and reformer. The horse he is riding is sculpted in great detail, expressing a sense of dynamism and power.
The equestrian statue is located in front of Christiansborg Palace, which today houses the Danish Parliament, the Supreme Court and the offices of the Prime Minister. This placement is particularly significant, as it underlines the connection between the monarchy and the development of democratic institutions in Denmark. The square where the statue is located is a place of great historical and political importance, often used for official events and national celebrations.
In addition to its historical value, the equestrian statue of Frederick VII has become a cultural and tourist landmark. It is one of the most photographed attractions in Copenhagen and is a significant example of 19th-century public art. For the Danes, it is a symbol of national pride and a reminder of the democratic values ​​on which their society is based.
The equestrian statue of Frederick VII in Copenhagen offers a unique opportunity to reflect on Denmark's history and the importance of democracy. This monument, located in one of the city's most important squares, is not only a tribute to a great king, but also a symbol of progress and freedom that continues to inspire future generations.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

Click here to see all the photos of the Danish capital.
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Where is the statue located:

Frederick VII of Denmark (Copenhagen, 6 October 1808 – Glücksburg, 15 November 1863) was the last king of Denmark to rule as an absolute monarch. He reigned from 1848 until his death. During his reign he signed a constitution that gave Denmark a government and made the country a constitutional monarchy, with all adult males having the right to vote. The constitution was signed after the peaceful March Revolution.
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The Equestrian Statue of Frederick VII in Copenhagen – La statue équestre de Frédéric VII à Copenhague – La estatua ecuestre de Federico VII en Copenhague – A estátua equestre de Frederico VII em Copenhaga – Das Reiterstandbild Friedrichs VII. in Kopenhagen – Tượng cưỡi ngựa của Frederick VII ở Copenhagen

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.

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Michelangelo's Christ of Minerva in Rome

Il Cristo della Minerva di Michelangelo a Roma

Michelangelo's Christ of Minerva in Rome.
In the heart of Rome, in one of the oldest and most evocative neighborhoods of the city, stands the majestic church of Santa Maria sopra Minerva. Inside this sacred building, among works of art of inestimable value, stands out the statue of the Christ of Minerva, a masterpiece sculpted by the famous Renaissance artist Michelangelo Buonarroti.
The statue of the Christ of Minerva, also known as the Risen Christ or Christ of the Pietà, is an imposing marble sculpture depicting Jesus Christ after the resurrection. Commissioned by a young Dominican friar, Fra' Ludovico di Pietro in 1514, the work was designed to adorn the high altar of the church of Santa Maria sopra Minerva. However, the original design included a statue of the Virgin Mary, but was later changed when Michelangelo accepted the commission.
The statue took several years to complete and was completed around 1521. Michelangelo masterfully worked the white marble, creating an extraordinary work that continues to amaze today with its beauty and realism.
The statue of the Christ of Minerva shows Christ in a solemn and calm pose, with his body erect and leaning on the cross. His serene face and intricate anatomical details give the work an extraordinary sense of life and spirituality.
The statue of the Christ of Minerva fits into the artistic and cultural context of the Italian Renaissance, a period of fervent creativity and spiritual renewal. Michelangelo, one of the greatest artists of all time, left an indelible mark on the artistic panorama of the time with works such as David, the Pietà and the Sistine Chapel. His skill in modeling marble and capturing the essence of humanity has influenced generations of subsequent artists.
The statue of Christ of Minerva represents a high point in Michelangelo's career and an icon of the Italian Renaissance. With its timeless beauty and profound spiritual meaning, it continues to inspire and move visitors who venture into the church of Santa Maria sopra Minerva. It is an extraordinary work of art that reminds us of the greatness of human ingenuity and the power of faith.

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Photo taken with Canon EOS RP and lens Canon RF 24-50.

Here I leave you the official website of the basilica: santamariasopraminerva.it.

To see all the photos I took in Rome click here:
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Here is where the basilica is located:

The Christ of Minerva is a marble statue (h. 205 cm) by Michelangelo Buonarroti, made in 1519-1520 approximately and now preserved in the Basilica of Santa Maria sopra Minerva in Rome. In 1514 Michelangelo, although he was bound by an exclusive contract with the Della Rovere heirs to work on the tomb of Julius II, did not refuse lucrative private commissions, such as the one received from Bernando Cencio, canon of St. Peter's in the Vatican, Mario Scappucci, Pietro Paolo Castellano and Metello Vari for a resurrected Christ, to be placed in the Basilica of Santa Maria sopra Minerva.
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Michelangelo’s Christ of Minerva statue in Rome – Statue du Christ de Minerve de Michel-Ange à Rome – Estatua del Cristo de Minerva de Miguel Ángel en Roma – Estátua do Cristo de Minerva de Michelangelo em Roma – Michelangelos Christus-Minerva-Statue in Rom – Tượng Chúa Kitô Minerva của Michelangelo ở Rome – 米开朗基罗在罗马的密涅瓦基督雕像 – ローマにあるミケランジェロのミネルヴァのキリスト像

The text of the post was written with the help of ChatGPT, a language model from OpenAI.

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The Filarete Tower of the Sforza Castle in Milan

La Torre del Filarete del Castello Sforzesco a Milano

The Filarete Tower of the Sforza Castle in Milan.
It is one of the most recognizable symbols of the Sforza Castle in Milan. This tall and majestic tower stands at the main entrance of the castle and represents an important piece of the architectural and cultural history of the city.
The tower is named after the Florentine architect Antonio di Pietro Averlino, known as Filarete, who designed the original in 1452. Unfortunately, the original tower was destroyed by an explosion in 1521. The tower we see today is a reconstruction carried out between 1900 and 1905 by the architect Luca Beltrami, based on historical drawings and documents.
The Filarete Tower is a perfect fusion of Gothic and Renaissance elements, with an imposing red brick structure and intricate decorative details. The tower is topped by a battlement and a statue of Saint Ambrose, the patron saint of Milan. The mechanical clock on the facade is a fascinating addition that draws the attention of visitors.
The tower is not only an architectural element of great beauty, but also a symbol of the strength and resilience of Milan. During the Second World War, the Sforza Castle suffered severe damage, but was completely restored, including the Filarete Tower, to preserve the city's historical heritage.
Today, the Filarete Tower and the Sforza Castle are open to the public and are a must-see for anyone visiting Milan. The castle also houses several museums and exhibitions, which offer an overview of Milan's history and art.
Visiting the Filarete Tower at the Sforza Castle is a journey through the history and architecture of Milan. Its majesty and historical significance make it one of the most fascinating attractions in the city. Don't miss the opportunity to admire this iconic tower and explore everything that the Sforza Castle has to offer.

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La Torre del Filarete del Castello Sforzesco a Milano

La Torre del Filarete del Castello Sforzesco a Milano

La Torre del Filarete del Castello Sforzesco a Milano

Photo taken with Canon EOS RP and lens Canon RF 24-50.

Click here se volete vedere tutte le foto che ho scattato a Milano:
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Where is the tower located:

The Sforza Castle is a large fortified complex located in Milan just outside the city's historic center. It was built in the 15th century by Francesco Sforza, who had recently become Duke of Milan, on the remains of a previous medieval fortification from the 14th century known as Castello di Porta Giovia (or Zobia). In the same area where the medieval Castello di Porta Giovia stood, in Roman times there was the Castrum Portae Jovis, one of the four defensive fortifications of Roman Milan.
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The Filarete Tower of the Sforza Castle in Milan – La tour Filarete du château des Sforza à Milan – La Torre Filarete del Castillo Sforzesco de Milán – A Torre Filarete do Castelo Sforzesco em Milão – Der Filarete-Turm des Castello Sforzesco in Mailand – Tháp Filarete của Lâu đài Sforzesco ở Milan

The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence.
References:
– https://www.milanocastello.it/it