The facade of the church of San Giovanni Battista in Mattarana. A small village, in the province of La Spezia, with its simple but beautiful church dedicated to San Giovanni.
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The facade of the church of San Giovanni Battista in Mattarana – La façade de l’église de San Giovanni Battista à Mattarana – La fachada de la iglesia de San Giovanni Battista en Mattarana – A fachada da igreja de San Giovanni Battista em Mattarana – Die Fassade der Kirche San Giovanni Battista in Mattarana – Mặt tiền nhà thờ San Giovanni Battista ở Mattarana
Spoleto Cathedral: a masterpiece of art and history. Spoleto Cathedral, also known as the Cathedral of Santa Maria Assunta, is one of the architectural jewels of Umbria. Located in the heart of the city of Spoleto, this magnificent building is an extraordinary example of Romanesque architecture, enriched with Gothic and Renaissance elements. The construction of the Cathedral began in the 12th century, after the destruction of the previous cathedral by the troops of Frederick Barbarossa. The façade, completed in 1207, is characterized by a Byzantine mosaic depicting Christ Blessing, the work of the master Solsternus. This mosaic is one of the oldest and most precious examples of Byzantine art in Italy. The interior of the Cathedral is equally fascinating, with a central nave and two side naves that lead to the apse frescoed by Filippo Lippi. The frescoes, created between 1467 and 1469, narrate episodes from the life of the Virgin Mary and are considered among the masterpieces of the Italian Renaissance. The cathedral also houses a 12th-century crucifix by Alberto Sozio and a 14th-century polychrome wooden statue of the Madonna. Next to the cathedral stands the bell tower, built in the 15th century, which offers a breathtaking panoramic view of the city of Spoleto. The cathedral complex also includes the Diocesan Museum and the Basilica of Sant’Eufemia, which houses works of sacred art and historical artifacts of great value. The Spoleto Cathedral is not only a place of worship, but also a center of cultural activities. Every year, the cathedral hosts concerts, exhibitions and events that attract visitors from all over the world. The “Art of the Spirit” itinerary allows you to explore the monumental complex in depth, admiring the works of art up close and discovering historical curiosities. Visiting the Spoleto Cathedral is an unforgettable experience. Whether you are a history buff, an art lover or simply looking for a place of peace and reflection, you will find in this cathedral a treasure trove of beauty and spirituality.
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The cathedral was built between 1151 and 1227 on the site of a pre-existing building; it was part of the Vaita De Domo. It was consecrated by Pope Innocent III in 1198. Inside, in the apse, there is the valuable cycle of frescoes by Filippo Lippi Stories of the Virgin, painted in the last years of the artist's life, between May 1467 and September 1469. Continue and learn more on Wikipedia
The Cathedral of Spoleto: a masterpiece of art and history – Cathédrale de Spolète : un chef-d’œuvre d’art et d’histoire – Catedral de Spoleto: una obra maestra de arte e historia – Catedral de Spoleto: uma obra-prima de arte e história – Kathedrale von Spoleto: ein Meisterwerk der Kunst und Geschichte – Nhà thờ Spoleto: một kiệt tác nghệ thuật và lịch sử
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The Castellani Chapel in the Basilica of Santa Croce in Florence. The Basilica of Santa Croce in Florence, famous for being the burial place of illustrious Italian personalities, is home to several chapels of extraordinary artistic and historical value. Among these, the Castellani Chapel stands out for its rich history and cultural significance. The Castellani Chapel takes its name from the Castellani family, one of the oldest and most influential Florentine families. Located along the right side of the main nave of the basilica, the chapel was commissioned by the family during the 14th century, a period of great prosperity for Florence. The Castellani family, known for their devotion and patronage, wanted to create a sacred space that reflected their faith and social status. The architectural structure of the chapel follows the typical Florentine Gothic style, characterized by pointed arches and cross vaults. The walls of the chapel are enriched with frescoes and stucco decorations, which show the mastery of the artists of the time. One of the most notable features of the Castellani Chapel is the cycle of frescoes created by Agnolo Gaddi, a famous 14th-century painter. These frescoes, which represent scenes from the life of St. John the Evangelist and the Virgin Mary, are exemplary of Florentine Gothic for their chromatic vivacity and the delicacy of the figures. Over the centuries, the chapel has undergone various restoration interventions to preserve its works of art. One of the most significant restorations was carried out in the 19th century, when the chapel was the subject of a large recovery campaign that allowed the original beauty of the frescoes to be returned to the public. The Castellani Chapel is not only a place of worship, but also a symbol of the rich cultural and historical heritage of Florence. It represents a tangible example of the patronage of Florentine families and their contribution to the development of art and architecture in the city. Every year, thousands of tourists visit the Basilica of Santa Croce to admire its many chapels, including the Castellani Chapel, evidence of an era in which Florence was at the center of the Renaissance and European culture.
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The Castellani Chapel, with a double span, was frescoed by his son Agnolo Gaddi with assistants and presents Stories of the saints Anthony the Abbot, John the Baptist, John the Evangelist and Nicholas of Bari. The tabernacle of the chapel is the work of Mino da Fiesole, while the painted cross is by Niccolò Gerini. The statues of the Robbian school represent Saint Francis and Saint Dominic, while among the tombstones, the one of Luisa Stolberg, Countess of Albany, stands out, a work in neo-Renaissance style by Luigi Giovannozzi and Emilio Santarelli based on a design by Charles Percier. Continue and learn more on Wikipedia
The Castellani Chapel in the Basilica of Santa Croce in Florence – La chapelle Castellani dans la basilique Santa Croce de Florence – La Capilla Castellani en la Basílica de Santa Croce en Florencia – A Capela Castellani na Basílica de Santa Croce em Florença – Die Castellani-Kapelle in der Basilika Santa Croce in Florenz – Nhà nguyện Castellani trong Vương cung thánh đường Santa Croce ở Florence
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San Matteo square and the Abbey in the heart of Genoa. In the beating heart of Genoa, among the intricate streets of the historic center, there is a hidden jewel of rare beauty and extraordinary historical importance: Piazza San Matteo and its Abbey. This corner of the city, less known than other tourist destinations, contains centuries of history, art and culture, offering visitors a privileged glimpse of medieval and Renaissance Genoa. Piazza San Matteo is closely linked to the powerful Doria family, one of the most influential in the Republic of Genoa. It was Andrea Doria, a famous admiral and prominent figure of the 16th century, who transformed this square into the symbol of the power of his family. The square was renovated in 1278, when the Dorias decided to build their residences there, creating a unique and fascinating architectural complex. The buildings overlooking Piazza San Matteo are characterized by typical medieval architecture, with black and white marble facades, a distinctive sign of the Genoese nobility of the time. The tower houses, which rise majestically, tell of a time when noble families built these structures not only as homes, but also as symbols of power and security. In the heart of the square stands the Abbey of San Matteo, founded in 1125 by Martino Doria, another illustrious member of the family. This church, which initially served as the private chapel of the Doria family, is an extraordinary example of Romanesque architecture, enriched with Gothic and Renaissance elements over the centuries. The interior of the abbey is a true treasure chest of artistic treasures. Among the masterpieces kept there are works by Luca Cambiaso, one of the greatest Genoese painters of the sixteenth century, and by Giovanni Battista Castello, known as il Bergamasco. The adjacent cloister, with its elegant arches and columns, offers an oasis of peace and reflection, away from the hustle and bustle of the city. Piazza San Matteo and its abbey are not just testimonies of the past, but living places that continue to pulsate with culture and memory. Every year, cultural events and demonstrations enliven the square, making it a meeting point for Genoese and visitors. Guided tours allow you to discover the stories and secrets that lie behind every stone, making each visit a unique experience.
San Matteo square and the Abbey are an essential stop for those who want to know the true essence of Genoa. This hidden corner of the city offers a journey through time, through history, art and tradition, revealing the most authentic and fascinating face of the Superba. Whether you are a history buff, an art lover or simply curious, a visit to Piazza San Matteo will give you unforgettable emotions and discoveries.
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Martino Doria, who entered the Benedictine friars of the Abbey of San Fruttuoso di Capodimonte after becoming a widower, obtained permission from Bishop Sigifredo to build a small church on land owned by the family near the Cathedral of San Lorenzo. The dedication of the new church to San Matteo was linked to his profession as a tax collector, just like the Dorias, who therefore made him their patron. Continue and learn more on Wikipedia
Here is where the abbey is located:
The square dedicated to Saint Matthew and the abbey in the heart of Genoa – La place dédiée à Saint Matthieu et l’abbaye au coeur de Gênes – La plaza dedicada a San Mateo y la abadía en el corazón de Génova – A praça dedicada a São Mateus e a abadia no coração de Gênova – Der dem Heiligen Matthäus und der Abtei gewidmete Platz im Herzen von Genua – Quảng trường dành riêng cho Thánh Matthew và tu viện ở trung tâm Genoa
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The caruggio of Mattarana a small village in Liguria. Some time ago I went to eat ravioli in a famous trattoria in Mattarana, a small Ligurian village in the province of La Spezia. After lunch I took a stroll around the village to take some photos and this is the main caruggio, with the church at the end, around which the few houses were built.
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The caruggio of Mattarana a small village in Liguria – Le caruggio de Mattarana est un petit village de Ligurie – El caruggio de Mattarana es un pequeño pueblo de Liguria – O caruggio de Mattarana é uma pequena aldeia da Ligúria – Das Caruggio von Mattarana ist ein kleines Dorf in Ligurien – Caruggio của Mattarana là một ngôi làng nhỏ ở Liguria
The porticos and the Basilica of Santo Stefano on Via XX in Genoa. Via XX Settembre, one of the main arteries of Genoa, is famous for its elegant porticos and the historic Basilica of Santo Stefano. This place is a meeting point between modern architecture and the centuries-old history of the city. The porticos of Via XX Settembre are a symbol of elegance and functionality. Built in the 19th century, the porticos provide shelter and shade to pedestrians, allowing them to stroll along the street in any weather condition. The imposing columns and neoclassical arches create an atmosphere of grandeur and refinement. Under the porticos, there are luxury boutiques, cafés and historic shops that add to the charm of this iconic street. Located in the heart of Via XX Settembre, the Basilica of Santo Stefano is an architectural jewel that dates back to the 5th century. The church is a remarkable example of Genoese Romanesque architecture, with its simple yet elegant façade and interior rich in history and art. The basilica was built on the ruins of an older church and has undergone numerous modifications and restorations over the centuries. The current structure, with its single nave and side chapels, still retains elements of the original Romanesque style. Inside, you can admire frescoes, sculptures and works of sacred art that tell the religious and cultural history of Genoa. Via XX Settembre and the Basilica of Santo Stefano represent a meeting point between the past and the present of Genoa. The arcades, with their timeless elegance, and the basilica, with its thousand-year history, offer visitors a unique experience of discovery and contemplation. Walking under the arcades of Via XX Settembre and visiting the Basilica of Santo Stefano is a journey through the history, art and culture of Genoa. These emblematic places are a must for anyone who wants to discover the beating heart of the city.
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The porticoes and the Basilica of Santo Stefano in via XX in Genoa – Les portiques et la basilique de Santo Stefano dans la via XX à Gênes – Los pórticos y la Basílica de Santo Stefano en via XX en Génova – Os pórticos e a Basílica de Santo Stefano na via XX em Génova – Die Portiken und die Basilika Santo Stefano in der Via XX in Genua – Các mái cổng và Vương cung thánh đường Santo Stefano qua XX ở Genoa
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Michelangelo's Christ of Minerva in Rome. In the heart of Rome, in one of the oldest and most evocative neighborhoods of the city, stands the majestic church of Santa Maria sopra Minerva. Inside this sacred building, among works of art of inestimable value, stands out the statue of the Christ of Minerva, a masterpiece sculpted by the famous Renaissance artist Michelangelo Buonarroti. The statue of the Christ of Minerva, also known as the Risen Christ or Christ of the Pietà, is an imposing marble sculpture depicting Jesus Christ after the resurrection. Commissioned by a young Dominican friar, Fra' Ludovico di Pietro in 1514, the work was designed to adorn the high altar of the church of Santa Maria sopra Minerva. However, the original design included a statue of the Virgin Mary, but was later changed when Michelangelo accepted the commission. The statue took several years to complete and was completed around 1521. Michelangelo masterfully worked the white marble, creating an extraordinary work that continues to amaze today with its beauty and realism. The statue of the Christ of Minerva shows Christ in a solemn and calm pose, with his body erect and leaning on the cross. His serene face and intricate anatomical details give the work an extraordinary sense of life and spirituality. The statue of the Christ of Minerva fits into the artistic and cultural context of the Italian Renaissance, a period of fervent creativity and spiritual renewal. Michelangelo, one of the greatest artists of all time, left an indelible mark on the artistic panorama of the time with works such as David, the Pietà and the Sistine Chapel. His skill in modeling marble and capturing the essence of humanity has influenced generations of subsequent artists. The statue of Christ of Minerva represents a high point in Michelangelo's career and an icon of the Italian Renaissance. With its timeless beauty and profound spiritual meaning, it continues to inspire and move visitors who venture into the church of Santa Maria sopra Minerva. It is an extraordinary work of art that reminds us of the greatness of human ingenuity and the power of faith.
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The Christ of Minerva is a marble statue (h. 205 cm) by Michelangelo Buonarroti, made in 1519-1520 approximately and now preserved in the Basilica of Santa Maria sopra Minerva in Rome. In 1514 Michelangelo, although he was bound by an exclusive contract with the Della Rovere heirs to work on the tomb of Julius II, did not refuse lucrative private commissions, such as the one received from Bernando Cencio, canon of St. Peter's in the Vatican, Mario Scappucci, Pietro Paolo Castellano and Metello Vari for a resurrected Christ, to be placed in the Basilica of Santa Maria sopra Minerva. Continue and learn more on Wikipedia
Michelangelo’s Christ of Minerva statue in Rome – Statue du Christ de Minerve de Michel-Ange à Rome – Estatua del Cristo de Minerva de Miguel Ángel en Roma – Estátua do Cristo de Minerva de Michelangelo em Roma – Michelangelos Christus-Minerva-Statue in Rom – Tượng Chúa Kitô Minerva của Michelangelo ở Rome – 米开朗基罗在罗马的密涅瓦基督雕像 – ローマにあるミケランジェロのミネルヴァのキリスト像
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Santa Maria degli Angeli, Porziuncola, near Assisi. Also known as Porziuncola, it is one of the most sacred churches in Assisi. Located in the hamlet of the same name, this basilica is closely linked to the life of Saint Francis of Assisi. Porziuncola was built in the 12th century as a small chapel where Saint Francis would retreat to pray. In 1569, by order of Pope Pius V, work began on the construction of the large Basilica of Santa Maria degli Angeli to protect and guard the Porziuncola and other sacred places linked to Saint Francis. The basilica was completed in 1679. The basilica was designed by Galeazzo Alessi and Jacopo Barozzi da Vignola. The structure is in Baroque and Mannerist style, with a monumental façade that houses a gilded bronze statue of the Madonna. The interior is characterized by a central nave and two side naves, with side chapels. Inside the basilica are some of the most sacred places linked to Saint Francis: – The Porziuncola: The small chapel where Saint Francis retreated to pray and where he received the stigmata. – The Chapel of the Transit: The place where Saint Francis entered eternal life. – The Rose Garden: A garden where Saint Francis loved to retreat to meditate. The basilica hosts numerous celebrations and special events, including the liturgical feast of Saint Francis and other solemnities linked to his life and his message of peace and love for nature. The basilica also houses a museum with works of art and objects related to the life of Saint Francis and the history of the Porziuncola. Santa Maria degli Angeli is a place of great spiritual and historical importance, which attracts pilgrims from all over the world. Visiting it is a touching and enriching experience, which allows you to immerse yourself in the history and spirituality of St. Francis of Assisi.
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The Basilica of Santa Maria degli Angeli is a Roman Catholic church located in Assisi, in the hamlet of the same name, built to a design by Galeazzo Alessi with interventions by Jacopo Barozzi da Vignola starting from the second half of the sixteenth century. It has the dignity of a Papal Basilica and inside it is the Porziuncola, the chapel where Francis of Assisi gathered in prayer, and for this reason the center of Franciscan spirituality. At the top of the facade of the temple stands the statue of the Madonna in gilded bronze modeled by Colasanti and cast by the Fonderia Artistica Ferdinando Marinelli of Florence. Continue and learn more on Wikipedia
Saint Mary of the Angels, the Porziuncola – Santa Maria degli Angeli, la Porziuncola – Santa Maria degli Angeli, la Porciúncula – Santa Maria degli Angeli, a Porciúncula – Santa Maria degli Angeli, die Porziuncola – Santa Maria degli Angeli, Porziuncola
The text of the post was written with the help of Copilot, a virtual assistant based on artificial intelligence. References: – https://www.porziuncola.org/basilica.html
Santo Stefano seen from the caruggio of Lavagna. The caruggio and the Basilica of Santo Stefano are probably the two symbols of Lavagna and in these shots I tried to show you both.
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The collegiate basilica of Santo Stefano is a Catholic place of worship in the municipality of Lavagna, in Piazza Guglielmo Marconi, in the metropolitan city of Genoa. The church is the seat of the parish of the same name of the vicariate of Chiavari-Lavagna of the diocese of Chiavari. In May 1921, Pope Benedict XV elevated it to the rank of minor basilica. Continue and learn more on Wikipedia
Santo Stefano seen from the alley of Lavagna – Santo Stefano vu de l’allée de Lavagna – Santo Stefano visto desde el callejón de Lavagna – Santo Stefano visto do beco de Lavagna – Santo Stefano von der Gasse von Lavagna aus gesehen – Santo Stefano nhìn từ con hẻm Lavagna
The Facade of Funchal Cathedral. In the heart of the picturesque city of Funchal on the enchanting island of Madeira, stands the majestic Funchal Cathedral, an architectural gem that has enchanted visitors and worshippers for centuries. Also known as the Cathedral of Our Lady of the Assumption, this imposing structure is a symbol of faith, history and timeless beauty. Funchal Cathedral has centuries of history, dating back to the mid-15th century when the first Portuguese settlers settled in Madeira. Built on a site that once housed a modest church, the cathedral has undergone several renovations and extensions over the years, reflecting the architectural styles that have evolved over the centuries. When approaching Funchal Cathedral, your eye is immediately drawn to its imposing façade and intricate architectural details. The structure features a mix of styles, with Gothic and Manueline influences blending together in a fascinating blend. The façade, adorned with an ornate portal and intricate reliefs, conveys a sense of grandeur and sacredness. The interior of the cathedral does not disappoint the expectations raised by the exterior. The naves, with their decorated altars and majestic columns, create an atmosphere of solemnity and devotion. The high altar is a masterpiece of baroque art, enriched by sacred paintings and gilded ornaments that capture the gaze of visitors. Funchal Cathedral is the spiritual heart of the island of Madeira. Dedicated to Our Lady of the Assumption, the cathedral is a sacred place of worship, frequented by believers and pilgrims from all over the world. Religious celebrations held inside the cathedral offer a unique experience of spiritual connection and reflection. Among the gems of Funchal Cathedral is the Chapel of the Blessed Sacrament, a small but sumptuous side chapel. Decorated with sacred works of art and finely crafted ornaments, the chapel exudes an aura of sacredness and contemplation. It is a favorite place for silent prayer and individual reflection. In addition to being a place of worship, Funchal Cathedral attracts many tourists and history and architecture enthusiasts. Guided tours offer a unique opportunity to explore the cathedral's rich history and admire up close the artistic details that make it a timeless masterpiece.
Funchal Cathedral is not only an architectural landmark but also a pillar of faith and culture in Madeira. With its spiritually-filled history and breathtaking architecture, the cathedral continues to be a must-see destination for anyone visiting this fascinating Portuguese island. Funchal Cathedral is much more than a building; it is a monument that celebrates the beauty, history and spirituality of Madeira.
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The Cathedral of the Assumption of the Virgin Mary is the Catholic cathedral of Funchal, Portugal, and the seat of the Diocese of Funchal. It is located in the center of the city, not far from the marina, in the area called Campo del Duca. Its construction began in the late 1400s. It was the first important church built on the island. Previously, there was a church near the beach of Calhau, but as the number of inhabitants increased thanks to the flourishing sugar cane trade, the church could no longer accommodate all the faithful, so it was decided to build a larger one in the center of the city. Continue and learn more on Wikipedia
The facade of the Funchal Cathedral in the island of Madeira – La façade de la cathédrale de Funchal sur l’île de Madère – La fachada de la Catedral de Funchal en la isla de Madeira – A fachada da Catedral do Funchal, na ilha da Madeira – Die Fassade der Kathedrale von Funchal auf der Insel Madeira – Mặt tiền của Nhà thờ Funchal ở đảo Madeira – 马德拉岛丰沙尔大教堂的正面 – マデイラ島のフンシャル大聖堂のファサード
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