L’interno della basilica dei Santi Gervasio e Protasio a Rapallo. Una delle chiese più centrali (e grandi) di Rapallo. Qualche tempo fa vi sono entrato e sono rimaso affascinato dell’interno della Basilica. Purtroppo avevo con me solamente il cellulare e non ho potuto realizzare molte foto.
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La basilica arcipresbiteriale-collegiata dei Santi Gervasio e Protasio è un luogo di culto cattolico situato nel comune di Rapallo, tra corso Italia e piazza Matteo Canessa, nella città metropolitana di Genova. La chiesa è sede della parrocchia omonima del vicariato di Rapallo-Santa Margherita Ligure della diocesi di Chiavari. Nel maggio del 1925 papa Pio XI la elevò alla dignità di basilica minore. Continue and learn more on Wikipedia
The interior of the basilica of Saints Gervasio and Protasio in Rapallo – L’intérieur de la basilique des Saints Gervasio et Protasio à Rapallo – El interior de la basílica de los Santos Gervasio y Protasio en Rapallo – O interior da basílica dos Santos Gervásio e Protásio em Rapallo – Das Innere der Basilika der Heiligen Gervasio und Protasio in Rapallo – Nội thất của Vương cung thánh đường Saints Gervasio và Protasio ở Rapallo – 拉帕洛圣杰瓦西奥和普罗塔西奥大教堂的内部 – ラパッロの聖ジェルバジオとプロタシオ大聖堂の内部
The magnificent Basilica of Saint Francis of Assisi. The Basilica of Saint Francis of Assisi is one of the most revered sites in Christianity and an architectural and artistic masterpiece. Located in the picturesque town of Assisi in Umbria, the basilica is dedicated to Saint Francis, the founder of the Franciscan Order, known for his life of poverty, humility and love for all creatures. The Basilica is composed of two overlapping churches, the Lower Basilica and the Upper Basilica, both filled with priceless works of art and profound spirituality. Construction of the Basilica of Saint Francis began in 1228, immediately after the canonization of Saint Francis, at the behest of Pope Gregory IX. The basilica was completed in a relatively short time: the Lower Basilica was consecrated in 1230, while the Upper Basilica was finished and consecrated in 1253.
The entrance to the Lower Basilica is through a portal decorated with intricate Gothic motifs. The interior is characterized by a secluded and spiritual atmosphere, with a series of richly frescoed side chapels. The frescoes of the Lower Basilica are attributed to great artists such as Cimabue, Pietro Lorenzetti and Simone Martini, and illustrate scenes from the life of Christ, the Madonna and Saint Francis. One of the most important points of the Lower Basilica is the crypt, which houses the tomb of Saint Francis. The tomb is a pilgrimage destination for millions of faithful from all over the world, who come to pay homage to the saint and pray at his tomb.
The Upper Basilica, built in Gothic style, is known for its brightness and its large stained glass windows that flood the interior with light. The single nave is decorated with one of the most famous fresco cycles in the history of art, attributed to Giotto and his school. These frescoes narrate the life of St. Francis in a series of 28 scenes, from his encounter with the leper to his sermon to the birds, up to his death. Giotto's frescoes are considered a milestone in Western art, marking the transition from Byzantine Mannerism to naturalistic and human representation. Each scene is characterized by extraordinary vivacity and emotional depth, making the story of the saint accessible and touching for all visitors. Adjacent to the Basilica is the Sacro Convento, a monastic complex that houses a community of Franciscan friars. The cloister of the convent is a place of great serenity, with its well-kept garden and colonnade that offers a place of reflection and prayer. The convent also houses a library and an archive that preserve manuscripts and documents of inestimable historical and spiritual value.
The Basilica of Saint Francis of Assisi is much more than just a historical monument; it is a place of profound spirituality and devotion. The basilica was declared a World Heritage Site by UNESCO in 2000, recognizing its universal value as a symbol of faith and art. Every year, the basilica welcomes millions of pilgrims and tourists who come to pay homage to Saint Francis, to pray at his tomb and to immerse themselves in the beauty of the works of art that adorn its walls. The basilica is also a place of liturgical celebrations and cultural events, which help keep alive the memory and legacy of the saint of Assisi.
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Wished by Pope Gregory IX as a specialis ecclesia, it was awarded by the same Pontiff the title of Caput et Mater of the Order of Friars Minor and at the same time entrusted in perpetuity to the same friars. It is part of the non-extraterritorial properties of the Holy See, therefore it does not enjoy diplomatic immunity. In the complex history that marked the evolution of the Order, the basilica (and the annexed Sacred Convent) was always looked after by the so-called "friars of the community", the group that later went on to form the Order of Friars Minor Conventual. Continue and learn more on Wikipedia
The splendid Basilic of St. Francis of Assisi – La splendide basilique de San Francesco d’Assisi – La espléndida basílica de San Francisco de Asís – A esplêndida basílica de San Francesco d’Assisi – Die prächtige Basilika San Francesco d’Assisi – Vương cung thánh đường lộng lẫy San Francesco d’Assisi
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La chiesa di San Bartolomeo a Sestri Levante. Poco distante da dove abito si trova questa bella chiesetta dedicata a San Bartolomeo. La zona è detta “della Ginestra” perchè immagino, sul piccolo monte alle spalle ci fossero molte piante di ginestra.
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Secondo alcune fonti storiche, si ritiene che un già preesistente luogo di culto possa essere stato edificato in un periodo che va dall’XI e XII secolo, nelle vicinanze della località “Zenestra” (da qui l’attuale toponimo “Ginestra”), compreso nella giurisdizione parrocchiale della chiesa di Santo Stefano del Ponte. Continue and learn more on Wikipedia
The church of San Bartolomeo in Sestri Levante – L’église de San Bartolomeo à Sestri Levante – La iglesia de San Bartolomeo en Sestri Levante – A igreja de San Bartolomeo em Sestri Levante – Die Kirche San Bartolomeo in Sestri Levante – Nhà thờ San Bartolomeo ở Sestri Levante – 塞斯特里莱万特的圣巴托洛缪教堂 – セストリ レバンテのサン バルトロメオ教会
Il rosone della facciata della Basilica di San Francesco ad Assisi. Qualche mese fa sono stato, assieme a mia moglie, in vacanza qualche giorno in Umbria. Una delle tappe della vacanza è stata Assisi e ovviamente non poteva mancare una visita alla famosa Basilica di cui vi descrivo un particolare in questo post.
Il rosone della Basilica di San Francesco ad Assisi è una delle caratteristiche architettoniche più distintive di questo importante luogo di culto. Situata nella città di Assisi, in Umbria, la basilica è famosa per essere la chiesa principale dedicata a San Francesco d’Assisi, il fondatore dell’ordine francescano. Il rosone si trova nella facciata superiore della basilica, sopra il portale principale. È un elemento decorativo di grande valore artistico e simbolico. I rosone sono tipicamente rotondi o poligonali e sono caratterizzati da un intreccio di vetrate colorate che creano motivi geometrici o figurativi.
Oltre alla basilica superiore, la basilica inferiore è anch’essa un luogo significativo, contenente le cripte dove è sepolto San Francesco. Entrambe le parti della basilica sono patrimonio mondiale dell’UNESCO e attraggono visitatori da tutto il mondo per la loro bellezza artistica e il loro significato spirituale.
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La chiesa superiore presenta una facciata semplice a “capanna”. La parte alta è decorata con un rosone centrale, con ai lati i simboli degli Evangelisti in rilievo. La parte bassa è arricchita dal maestoso portale strombato. Sul lato sinistro della facciata è stata appoggiata , nel Seicento, la Loggia delle benedizioni dalla quale, in epoca passata, si mostrava il Velo santo della Madonna. Sullo stesso lato, poco dopo la costruzione della chiesa superiore, è stato innalzato il campanile, un tempo cuspidato. Continue and learn more on Wikipedia
The rose window of the facade of the church dedicated to Saint Francis in Assisi – La rosace de la façade de l’église dédiée à Saint François d’Assise – El rosetón de la fachada de la iglesia dedicada a San Francisco en Asís – A rosácea na fachada da igreja dedicada a São Francisco em Assis – Das Rosettenfenster an der Fassade der dem Heiligen Franziskus geweihten Kirche in Assisi – Cửa sổ hoa hồng trên mặt tiền nhà thờ kính Thánh Phanxicô ở Assisi
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La cupola della Frederiks Kirke vista dalla nave. Oggi (a dire la verità diverso tempo fa) lo sguardo del mio obiettivo si è posato sulla mastodontica cupola di una delle più famose chiese di Copenaghen. Da uno dei ponti esterni della nave in cui lavoravo (la Costa Firenze) ormeggiata nel porto della capitale danese.
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Click here to see all the photos of the Danish capital.
Here is where the church is located:
La Frederiks Kirke (chiesa di Federico in danese), meglio nota come Marmorkirken (Chiesa marmorea) è una delle chiese di Copenaghen, capitale della Danimarca. Fu progettata dall’architetto Nicolai Eigtved nel 1740 insieme al Frederiksstad, il quartiere di Copenaghen in cui si trova, per commemorare il 300º anniversario dell’incoronazione del primo membro del Casato degli Oldenburg. Continue and learn more on Wikipedia
The dome of Frederiks Kirke, Copenhagen, seen from the ship – Le dôme de Frederiks Kirke, Copenhague, vu du navire – La cúpula de Frederiks Kirke, Copenhague, vista desde el barco – A cúpula de Frederiks Kirke, Copenhagen, vista do navio – Die Kuppel der Frederiks Kirke, Kopenhagen, vom Schiff aus gesehen – Mái vòm của Frederiks Kirke, Copenhagen, nhìn từ tàu – 从船上看到哥本哈根 Frederiks Kirke 的圆顶 – 船から見たコペンハーゲンのフレデリクス教会のドーム
The magnificent Cathedral of San Lorenzo in Genoa. The Cathedral of San Lorenzo, located in the heart of Genoa, is one of the most important and fascinating architectural testimonies of the city. This Gothic masterpiece, with Romanesque and Renaissance influences, is not only a religious symbol, but is also an important tourist attraction and a historical reference point for the Genoese. The construction of the Cathedral of San Lorenzo began in the 9th century, on the remains of an earlier paleo-Christian basilica. However, much of the current building dates back to the 12th century, when the city of Genoa was at the height of its maritime and commercial power. Over the centuries, the cathedral underwent numerous modifications and extensions, which reflect the various architectural styles that followed one another. The main portal, with its elaborate sculptural decorations, is a splendid example of Gothic art. The black and white stripes of the facade, made of marble, recall the Pisan influence and harmonize perfectly with the other Gothic and Romanesque elements of the building. The facade of the cathedral is characterized by three richly decorated portals and a large central rose window. The two bell towers, one of which is incomplete, add an element of asymmetry that contributes to the unique charm of the building. Inside, the cathedral is equally impressive. The naves are separated by marble and granite columns, and the ceilings are adorned with frescoes and decorations that tell biblical stories and local legends. Among the most significant works of art inside the cathedral, the Genoese “Holy Grail” stands out, a precious glass tray that, according to legend, was used during the Last Supper.
Another element of great interest is the Museo del Tesoro, located in the cathedral's basement. Numerous objects of inestimable value are preserved here, including relics, sacred vestments and jewels. Among the most famous treasures is the Sacro Catino, a green glass bowl that was believed to be the Holy Grail. The Cathedral of San Lorenzo is at the center of numerous religious and civil celebrations. The most important is the feast of San Giovanni Battista, the patron saint of Genoa, which is celebrated on June 24. During this day, the cathedral becomes the center of processions, religious events and celebrations that involve the entire city. The cathedral also has a history of resilience. During the Second World War, a bomb fell on the cathedral, but miraculously did not explode, thus saving the building from serious damage. This event is still remembered by the Genoese as a sign of divine protection.
The Cathedral of San Lorenzo is not only a place of worship, but a monument that tells the story of Genoa, its traditions and its art. Every corner of the cathedral, from the decorations of the facade to the internal naves, speaks of centuries of faith, culture and beauty. Visiting the Cathedral of San Lorenzo means taking a journey through time, immersing yourself in one of the most fascinating pages of Genoese history.
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The Cathedral of San Lorenzo is the most important place of Catholic worship in the city of Genoa, the metropolitan cathedral of the archdiocese of the same name. It was consecrated to the saint in 1118 by Pope Gelasius II when it was not yet finished and the facade was missing. Continue and learn more on Wikipedia
The magnificent Cathedral of San Lorenzo in Genoa – La magnifique cathédrale de San Lorenzo à Gênes – La magnífica Catedral de San Lorenzo en Génova – A magnífica Catedral de San Lorenzo em Gênova – Die prächtige Kathedrale San Lorenzo in Genua – Nhà thờ tráng lệ San Lorenzo ở Genoa
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L’altare della Chiesa di San Vitale a Parma. Immersa nel cuore storico di Parma, la Chiesa di San Vitale si erge con un’eleganza senza tempo, testimone silenziosa dei secoli che ha attraversato. Costruita nel XIV secolo in stile gotico, questa maestosa chiesa cattolica cattura l’attenzione di chiunque si avvicini, offrendo un’esperienza unica di bellezza architettonica e spirituale. La facciata, adornata da dettagli intricati e finemente scolpita, rivela un mix affascinante di stili artistici che spaziano dal gotico al rinascimento. Gli archi ogivali e le decorazioni floreali incorniciano l’ingresso, accogliendo i visitatori in un mondo di suggestione e storia. Il punto focale dell’interno è sicuramente l’altare maggiore, un capolavoro di intarsio e scultura. L’atmosfera di San Vitale è resa ancora più suggestiva dalla luce che filtra attraverso le vetrate colorate, dipingendo il pavimento con una tavolozza caleidoscopica di colori durante le ore del giorno. La chiesa ospita anche una collezione di opere d’arte sacra, tra cui dipinti e sculture di maestri locali, arricchendo ulteriormente l’esperienza culturale e religiosa dei visitatori. Oltre alla sua bellezza estetica, la Chiesa di San Vitale è un luogo di spiritualità e riflessione. Le sue pareti antiche sembrano custodire segreti e storie che si svelano a coloro che prendono il tempo di esplorare i suoi angoli tranquilli.
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To see all the photos I took in the city click here:
Here is where the church is located:
L’abside è interamente occupata dal presbiterio, rialzato di alcuni gradini rispetto al resto della chiesa, al centro del quale si trova l’altare maggiore in marmi policromi, sormontato da un Crocifisso ligneo scolpito. Sulla volta del presbiterio vi è un affresco di Giuseppe Peroni raffigurante l’Apoteosi di San Vitale. Continue and learn more on Wikipedia
The altar of the Church of San Vitale in Parma – L’autel de l’église de San Vitale à Parme – El altar de la Iglesia de San Vitale en Parma – O altar da Igreja de San Vitale em Parma – Der Altar der Kirche San Vitale in Parma – Bàn thờ của Nhà thờ San Vitale ở Parma – 帕尔马圣维塔莱教堂的祭坛 – パルマのサン ヴィターレ教会の祭壇
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La Lapidazione di Santo Stefano nella omonima chiesa di Genova. Da diverso tempo serbavo questa bella foto di questo maestoso dipinto conservato nella bella chiesa di Santo Stefano a Genova. Qualche anno fa, cogliendo l’occasione dell’evento “Le chiese dei Rolli”, avevo visitato la chiesa che domina via XX Settembre.
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La Lapidazione di santo Stefano è un dipinto a olio su tavola (288×403 cm) di Giulio Romano, databile al 1521 circa e conservato nella chiesa di Santo Stefano a Genova. Alla morte di Raffaello, nel 1520, Giulio Romano ne aveva ereditato di fatto la conduzione della grande bottega, passaggio suggellato nel 1523 quando papa Clemente VII, appena eletto, gli affidò con gli altri allievi dell’urbinate la decorazione della Sala di Costantino in Vaticano. Continue and learn more on Wikipedia
The Stoning of Saint Stephen in the church of the same name in Genoa – La lapidation de saint Etienne dans l’église du même nom à Gênes – La Lapidación de San Esteban en la iglesia del mismo nombre en Génova – O Apedrejamento de Santo Estêvão na igreja de mesmo nome em Gênova – Die Steinigung des Heiligen Stephanus in der gleichnamigen Kirche in Genua – Vụ ném đá Thánh Stephen tại nhà thờ cùng tên ở Genoa – 圣斯蒂芬在热那亚同名教堂被石刑 – ジェノヴァの同名の教会で行われた聖ステパノの石打ち
Michelangelo's tomb in Santa Croce in Florence. The city of Florence, rich in history and culture, holds within it a treasure of art and meaning: the tomb of Michelangelo Buonarroti located in the Basilica of Santa Croce. This sacred place, once the residence of illustrious figures such as Galileo Galilei and Niccolò Machiavelli, welcomes the great master of the Italian Renaissance with a solemnity and respect that are worthy of the greatness of his contribution to art and culture. Michelangelo, born in 1475 and died in 1564, was one of the greatest artists in history. His influence extended through sculpture, painting and architecture, giving life to iconic works such as the statue of David and the Sistine Chapel. After his death, Florence dedicated a final resting place to him in the Basilica of Santa Croce, a place already consecrated for its many tombs of illustrious personalities. Michelangelo's tomb was designed by Giorgio Vasari, another great artist and architect of the Italian Renaissance. The work, completed in 1578, combines architectural and sculptural elements in a fitting tribute to Michelangelo's greatness. The monument is located in the Buonarroti family chapel, located on the left side of the nave of the basilica. Michelangelo's tomb is an eloquent example of Renaissance funerary art. At the center is an allegorical statue of Hope, flanked by statues representing Activity and Philosophy. The figure of Michelangelo, created by Vasari himself, is placed on a sarcophagus surmounted by a portrait of the deceased, executed by Daniele da Volterra. The whole is characterized by a sense of balance and harmony, typical of the Renaissance style. Every element of Michelangelo's tomb is full of symbolism. Hope, with outstretched wings, suggests the immortality of art and the continuity of its influence over time. The lateral statues symbolize the duality of Michelangelo's life, between the creative fervor of the artist and the philosophical depth of his thought.
Michelangelo’s tomb in Santa Croce is a masterpiece that combines art and spirituality. Every detail, from the architectural design to the allegorical sculptures, tells the story of a man who shaped the aesthetics of the Renaissance. This sacred place is an essential stop for anyone who wants to immerse themselves in the artistic and cultural legacy of Florence, paying homage to one of the geniuses who made this city eternally legendary. Do you know or have you visited this beautiful church in Florence? Add your own comment or go to the bottom of the site to read what other visitors have written.
The most famous tomb is perhaps that of Michelangelo Buonarroti, between the first and second altars of the right nave, designed by Vasari after the remains of the great artist arrived in Florence from Rome (1564). Above the tomb, three sculptures represent the personifications of Painting (by Battista Lorenzi, also author of the artist's bust) (around 1568), Sculpture (by Valerio Cioli) and Architecture (reattributed to Battista Lorenzi, previously attributed to Giovanni Bandini), saddened by the death of the great master, but the entire tomb is a mixture of painting, sculpture and architecture. The frescoes that decorate it are by Giovan Battista Naldini. Continue and learn more on Wikipedia
Michelangelo’s tomb in the church of Santa Croce in Florence – Le tombeau de Michel-Ange dans l’église de Santa Croce à Florence – La tumba de Miguel Ángel en la iglesia de Santa Croce en Florencia – Túmulo de Michelangelo na igreja de Santa Croce em Florença – Michelangelos Grab in der Kirche Santa Croce in Florenz – Mộ của Michelangelo tại nhà thờ Santa Croce ở Florence – 佛罗伦萨圣十字教堂内的米开朗基罗墓 – フィレンツェのサンタ・クローチェ教会にあるミケランジェロの墓
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La lapide all’esterno della chiesa di San Bernardo a Sestri Levante. Sulla facciata della piccola chiesetta della frazione di San bernard, sulle alture di Sestri Levante, c’è questa lapide che recita:
D.O.M IL POPOLO CHE PREGA IL PATRONO DELLA SUA CHIESA MIO PADRE E GRAN DOTTORE DI NOSTRA SANTA CHIESA BERNARDO SII DIFESA — PRESENTA AL MIO SIGNORE QUESTA NOSTRA PREGHIERA DOVUTA TUTTA INTERA IN NOME DEL PASTORE 1891
A dire la verità non riesco a capire bene chi era Bernardo e non capisco (perchè non riesco a leggerlo bene dalla foto) quel SII dopo il nome. Se qualcuno mi può aiutare, benvenga! Aggiungi un tuo comment or go to the bottom of the site to read what other visitors have written.
The plaque outside the church of San Bernardo in Sestri Levante – La plaque à l’extérieur de l’église de San Bernardo à Sestri Levante – La placa en el exterior de la iglesia de San Bernardo en Sestri Levante – A placa fora da igreja de San Bernardo em Sestri Levante – Die Gedenktafel vor der Kirche San Bernardo in Sestri Levante – Tấm biển bên ngoài nhà thờ San Bernardo ở Sestri Levante – 塞斯特里莱万特圣贝尔纳多教堂外的匾额 – セストリ レバンテのサン ベルナルド教会の外にある銘板
