Cristo Rei, the statue in front of Lisbon

Il Cristo Rei, la statua simbolo di Lisbona

Cristo Rei, the statue in front of Lisbon.
Cristo Rei of Lisbon is a statue of Jesus Christ that stands on the south bank of the Tagus River, in the city of Almada, in front of Lisbon.
The Cristo Rei statue is approximately 110 meters tall, with the statue itself measuring approximately 28 meters. Its construction was inspired by the Cristo Redentor statue in Rio de Janeiro.
The statue is located on Monte Cristo Rei, which offers spectacular panoramic views of the city of Lisbon, the Tagus River and the 25 de Abril Bridge.
Construction of the statue began in 1950 and was completed in 1959. It was erected as a thank you for Portugal having managed to avoid participation in World War II.
The Cristo Rei statue symbolizes gratitude for divine protection during the war and also serves as a symbol of peace.
This statue has become an icon of Lisbon and is one of the most visited tourist attractions in the region. In addition to offering a breathtaking view, the area around the statue also hosts places of worship and a sanctuary.

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Il Cristo Rei, la statua simbolo di Lisbona

Photo taken with Canon EOS RP and lens Tamron 16-300.

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The National Sanctuary of Christ the King or simply Christ the King is a Portuguese sanctuary located in Pragal, a former friary of the city of Almada, which in turn is part of Greater Lisbon. It is famous because behind it is a colossal statue of Christ the King, inspired by the Christ of Corcovado in Rio de Janeiro, designed by the architect António Lino, built by Francisco Franco de Sousa and inaugurated on May 17, 1959. The base of the statue is shaped like a door and is 75 meters high and above it is the 28-meter statue of Christ the King.
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The Cristo Rei, the symbolic statue of Lisbon – Le Cristo Rei, la statue symbolique de Lisbonne – El Cristo Rei, la estatua simbólica de Lisboa – O Cristo Rei, a estátua simbólica de Lisboa – Der Cristo Rei, die symbolische Statue von Lissabon – Cristo Rei, bức tượng biểu tượng của Lisbon – 基督像 (Cristo Rei),里斯本的象征雕像 – リスボンの象徴的な像、クリスト・レイ

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L’orologio Astronomico in piazza della Loggia a Brescia

L'orologio Astronomico in piazza della Loggia a Brescia

L’orologio Astronomico in piazza della Loggia a Brescia visto dal retro.
L’orologio astronomico di Brescia è un orologio monumentale situato sulla Torre del Pegol, nel cuore del centro storico di Brescia, Italia. Questo orologio è uno dei più antichi d’Europa ed è famoso per le sue caratteristiche astronomiche e artistiche.
Normalmente lo si fotografa dal davanti, dalla piazza della Loggia, ma in questi scatti ero sul retro della torre (il lato b).
Storia: L’orologio risale al XVI secolo e fu realizzato da Gian Alberto Barigozzi, un orologiaio bresciano, nel 1540. Nel corso dei secoli, ha subito alcune modifiche e restauri.
Posizione: L’orologio è collocato sulla Torre del Pegol, una torre medievale alta circa 30 metri, situata in Piazza Loggia, nel centro storico di Brescia.
Caratteristiche astronomiche: Una delle caratteristiche più interessanti dell’orologio è la sua complicata quadrante astronomico. Esso mostra le fasi della luna, il movimento del sole e della luna nel cielo, le costellazioni zodiacali e altre informazioni astronomiche. Questo tipo di orologio era essenziale nel XVI secolo per le attività agricole e per determinare i tempi liturgici.
Meccanismo: L’orologio è azionato da un meccanismo complesso di ingranaggi e pesi. Il movimento delle lancette è controllato da questo sistema meccanico che, nonostante la sua antichità, continua a funzionare.
Restauri: Nel corso dei secoli, l’orologio ha subito diversi restauri e interventi di manutenzione per preservarne l’integrità e far sì che continuasse a funzionare. L’ultimo grande restauro è avvenuto nel 2001.
Eventi pubblici: L’orologio astronomico di Brescia è spesso protagonista di eventi pubblici, specialmente durante le festività locali. Le sue lancette e i suoi rintocchi hanno un significato simbolico e tradizionale per la comunità locale.
L’orologio astronomico di Brescia è un’importante attrazione turistica e un simbolo della storia e della tradizione della città. La sua complessità meccanica e la sua bellezza artistica lo rendono un elemento unico nel panorama degli orologi astronomici storici.

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L'orologio Astronomico in piazza della Loggia a Brescia

Photo taken with Honor 20.

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Here's where the tower is located:

La Torre dell’Orologio venne eretta tra il 1540 ed il 1550 su progetto di Lodovico Beretta, architetto bresciano, tra gli autori dello stesso palazzo della Loggia.
All’interno della torre è presente un complesso orologio astronomico meccanico, realizzato tra il 1544 e il 1546 [1] da Paolo Gennari da Rezzato in sostituzione di un orologio posto in un altro lato della piazza, risalente al secolo precedente e dismesso nel 1543.
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The Astronomical Clock in Piazza della Loggia in Brescia seen from the back – L’horloge astronomique de la Piazza della Loggia à Brescia vue de dos – El Reloj Astronómico en la Piazza della Loggia en Brescia visto desde atrás – O Relógio Astronômico na Piazza della Loggia em Brescia visto de trás – Die astronomische Uhr auf der Piazza della Loggia in Brescia von hinten gesehen – Đồng hồ thiên văn ở Piazza della Loggia ở Brescia nhìn từ phía sau – 从后面看布雷西亚德拉凉廊广场的天文钟 – ブレシアのロッジャ広場にある天文時計を裏側から見た

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The Roman Theatre of Brixia, today's Brescia

Il Teatro Romano di Brixia, l'odierna Brescia

The Roman Theatre of Brixia, today's Brescia
In the heart of the picturesque city of Brescia, there is a monument that tells stories of thousands of years and preserves the essence of a distant era: the Roman Theatre. This extraordinary masterpiece of engineering and culture is a tangible testimony to the greatness of ancient Rome and its lasting influence on European civilization.
The Roman Theatre of Brescia, dating back to the 1st century AD, is one of the most important archaeological sites in the region. Built at a time when Brixia, the ancient name of Brescia, was a thriving Roman colony, the theatre served as a cultural centre and a place of entertainment for the citizens.
The Roman Theatre of Brescia is a superb example of Roman architecture. Built on the Cidneo hill, it enjoys a panoramic view overlooking the city, offering spectators a magnificent spectacle even before the lights on the stage are turned on.
The cavea, the part intended for the public, is a masterpiece of engineering that can accommodate up to 15,000 people. The steps are divided into three sectors, reserved for different social classes, highlighting the rigorous organization of Roman society. The cavea is supported by an imposing structure of arches and pillars that still inspire the admiration of visitors today.
The stage, or “pulpitum,” is the central part of the theater, reserved for theatrical and musical performances. The proscenium, decorated with columns and statues, was the center of artistic activities involving drama, comedy, and even gladiators in specially adapted shows.
The Roman Theatre of Brescia was much more than a simple place of performances. It was a social and cultural centre, a meeting point where citizens of different social classes could share experiences and passions. The shows, in addition to entertaining, also served to educate and communicate the values ​​of Roman society.
As the centuries passed, the Roman Theatre of Brescia fell into ruin, buried by the dust of time. However, during the Renaissance, interest in classical antiquity was renewed, and the theatre once again became an object of study and appreciation. During the 19th century, major excavation and restoration works were undertaken, bringing to light the magnificent monument we admire today.
Today, the Roman Theatre of Brescia is an archaeological site open to the public, a place that transports visitors back in time. Numerous cultural events and shows are organized in the theatre, allowing modern citizens of Brescia to connect with their historical roots.

The Roman Theatre of Brescia is more than just a stone structure; it is a portal that connects us to ancient Rome, tells us stories of glory and intrigue, and invites us to reflect on the enduring influence of Roman civilization on our daily lives. Through its imposing presence, the theatre continues to inspire and educate, a silent witness to an era that lives on in the hearts and minds of those who visit it.

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Il Teatro Romano di Brixia, l'odierna Brescia

Photo taken with Canon EOS M100 and lens Canon EF-M 11-22.

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Ecco dove si trova il teatro:

The theatre was built in the Flavian era, like the nearby Capitolium[1] (to which it was connected by a portico), and remodelled during the principality of Septimius Severus, in the 3rd century. It was probably damaged by the same fire that, in the 4th century, caused the partial collapse of the temple building located in the immediate vicinity, and by an earthquake in the 5th century, which completely destroyed the stage and the wall overlooking the street. Despite this, it was used until 1173.
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The Roman Theater of Brixia, today’s Brescia – Le théâtre romain de Brixia, l’actuelle Brescia – El Teatro Romano de Brixia, la Brescia actual – O Teatro Romano de Brixia, hoje Brescia – Das römische Theater von Brixia, dem heutigen Brescia – Nhà hát La Mã Brixia, Brescia ngày nay – 布里西亚罗马剧场,即今天的布雷西亚 – ブリクシアのローマ劇場、現在のブレシア

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Il ponte del Bisbe, del Vescovo, a Barcellona

Il Ponte del Bisbe, del Vescovo, a Barcellona

Il ponte del Bisbe, del Vescovo, a Barcellona.
Passeggiando nel quartiere Gotico di Barcellona sono passato sotto a questo ponticello monumentale, che unisce due palazzi, che ho scoperto essere il Ponte del Vescovo.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

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Il Ponte del Bisbe, Ponte del Vescovo, è uno dei luoghi più fotografati del Barrio Gotico ma anche dell’intera Barcellona, nonché una delle costruzioni “più misteriose” del capoluogo Catalano. Il Ponte del Bisbe è un’ opera neo gotica realizzata nel 1928 nel corso di un’imponente progetto di ristrutturazione del Barrio Gotico affidata ad un discepolo di Gaudì, Joan Rubiò i Bellver.
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The Bisbe Bridge, of the Bishop, in Barcelona – Le pont Bisbe, de l’évêque, à Barcelone – El Puente Bisbe, del Obispo, en Barcelona – A Ponte Bisbe, do Bispo, em Barcelona – Die Bisbe-Brücke des Bischofs in Barcelona – Cầu Bisbe của Bishop ở Barcelona – 巴塞罗那主教的比斯贝桥 – バルセロナの司教のビスベ橋

The statue of the Ganges in the Fountain of the Rivers

La statua del Gange nella Fontana dei Fiumi a Roma

The statue of the Ganges in the Fountain of the Four Rivers in Rome.
The Fountain of the Four Rivers is one of the most famous works of the famous Italian sculptor Gian Lorenzo Bernini. It is located in the Piazza Navona in Rome and was commissioned by Pope Innocent X (born Giovanni Battista Pamphilj) in 1648. The fountain is located in the center of the square and is a masterpiece of Baroque art.
The fountain takes its name from the four rivers represented in the four giant statues located at the base of the central tower. These four rivers are symbols of four of the then known continents: the Nile for Africa, the Ganges for Asia, the Danube for Europe and the Rio de la Plata for the Americas. The statues are made of marble and each is accompanied by an animal or symbol characteristic of the region it represents.
At the center of the fountain is an Egyptian obelisk, an architectural element that was transferred from Ancient Rome to the square by order of Pope Innocent X. The obelisk is crowned by the dove of peace and topped by a gilded bronze globe. This element gives the fountain a remarkable height and grandeur.
The Fountain of the Four Rivers is an impressive work that masterfully mixes art, architecture and symbolism, as often happens in Bernini's works. Its creation required a considerable effort of engineering, and the result is one of the most admired and iconic attractions in Rome.

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La statua del Gange nella Fontana dei Fiumi a Roma

Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Bernini’s giants move in gestures full of life and with an irrepressible expressive exuberance. The Ganges holds a long oar that suggests the navigability of the river. The sculptor seeks a more careful study of the movements and expressions, which the artist varies to the maximum.
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The Ganges statue in the Fontana dei Fiumi in Rome – La statue du Gange dans la Fontana dei Fiumi à Rome – La estatua del Ganges en la Fontana dei Fiumi en Roma – A estátua do Ganges na Fontana dei Fiumi em Roma – Die Ganges-Statue in der Fontana dei Fiumi in Rom – Tượng sông Hằng ở Fontana dei Fiumi ở Rome – 罗马 Fontana dei Fiumi 的恒河雕像 – ローマのフォンタナ・デイ・フィウミにあるガンジス川の彫像

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Il monumento alle Scoperte sul lungomare di Lisbona

Il monumento alle scoperte sul lungomare di Lisbona

Il monumento alle Scoperte sul lungomare di Lisbona.
Partendo dal porto di Lisbona di naviga per un po’ lungo la foce del fiume Tago.
Durante la navigazione si possono notare molti simboli della capitale portoghese come il Cristo Redentor, il Ponte 25 de Abril ed anche il monumento alle Scoperte (di cui vi posto oggi le foto).
Dedicato ai molti che partirono per mare tra il XV ed il XVI secolo, anni della esplosione della marineria europea.

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Photo taken with Canon EOS RP and lens Tamron 16-300.

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Here is where the monument is located:

Il monumento alle Scoperte (Padrão dos Descobrimentos in portoghese), situato a Belém sulla riva del fiume Tago, fu realizzato nel 1960, a cinquecento anni dalla morte di Enrico il Navigatore, per celebrare l’età delle scoperte portoghesi realizzate dai navigatori fra il XV ed il XVI secolo. Il monumento fu iniziato sotto il regime di Salazar e voleva celebrare tutti i marinai che parteciparono alle esplorazioni.
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The monument dedicated to the discoveries on the Lisbon waterfront – Le monument dédié aux découvertes sur le front de mer de Lisbonne – El monumento dedicado a los descubrimientos en el paseo marítimo de Lisboa – O monumento dedicado aos descobrimentos na zona ribeirinha de Lisboa – Das den Entdeckungen gewidmete Denkmal an der Küste von Lissabon – Tượng đài dành riêng cho những khám phá trên bờ sông Lisbon – 纪念里斯本海滨发现的纪念碑 – リスボンのウォーターフロントにある発見を記念した記念碑

Il monumento alla Costituzione del 1812 a Cadice

Il monumento alla Costtuzione del 1812 a Cadice

Il monumento alla Costituzione del 1812 a Cadice visto dalla nave.
Quando non riesco ad uscire a fare due passi, amo fotografare le città in cui la nave attracca (o quello che si riesce a vedere) dai ponti esterni e da quelli più in alto.
Qui eravamo a Cadice e il mio obiettivo si è posato su queso alto monumento che ho scoperto essere dedicato alla Costituzione spagnola del 1812.

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Il monumento alla Costtuzione del 1812 a Cadice

Photo taken with Canon EOS RP and lens Tamron 16-300.

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The Spanish Constitution of 1812, also known as the Constitution of Cadiz or La Pepa, is the constitutional charter promulgated on March 19, 1812 by the Cortes, the Iberian parliament, in opposition to the Napoleonic occupation and the regime of Joseph Bonaparte. It established the constitutional monarchy with the limitation of the powers of the king, the separation of powers, universal male suffrage, and freedom of enterprise.
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The monument to the Constitution of 1812 in Cadiz seen from the ship – Le monument à la Constitution de 1812 à Cadix vu du navire – El monumento a la Constitución de 1812 en Cádiz visto desde el barco – O monumento à Constituição de 1812 em Cádiz visto do navio – Das Denkmal für die Verfassung von 1812 in Cádiz vom Schiff aus gesehen – Tượng đài Hiến pháp năm 1812 ở Cadiz nhìn từ con tàu – 从船上看加的斯 1812 年宪法纪念碑 – 船から見たカディスの 1812 年憲法記念碑

Il monumento dedicato ai partigiani a Lavagna

Il monumento dedicato ai partigiani a Lavagna

Il monumento dedicato ai partigiani a Lavagna.
A passeggio per Lavagna, armato come quasi sempre della mia macchina fotografica, ho fotografato il monumento che è dedicato alla memoria dei partigiani partiti dalla cittadina rivierasca.
Il monumento recita:

1943
DI QUI PASSO’ LA RESISTENZA
PRENDENDO LA STRADA DEI MONTI
ALL’ALBA DI QUEI VENTI MESI
CHE IL SANGUE E L’UNITA’ POPOLARE
PREPARARONO LA LIBERAZIONE
1945

NEL 30° ANNIVERSARIO – IL COMITATO ANTIFASCISTA LAVAGNESE

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Il monumento dedicato ai partigiani a Lavagna

Il monumento dedicato ai partigiani a Lavagna

Photo taken with Canon EOS RP and lens Canon RF 24-50.

L’anniversario della liberazione d’Italia, noto anche come festa della Liberazione (o semplicemente il 25 aprile), è una festa nazionale della Repubblica Italiana, che si celebra ogni 25 aprile per commemorare la liberazione dell’Italia dal nazifascismo, la fine dell’occupazione nazista e la definitiva caduta del regime fascista.
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The monument dedicated to the partisans in Lavagna – Le monument dédié aux partisans de Lavagna – El monumento dedicado a los partisanos en Lavagna – O monumento dedicado aos guerrilheiros em Lavagna – Das den Partisanen in Lavagna gewidmete Denkmal – Tượng đài dành riêng cho những người theo đảng phái ở Lavagna – 拉瓦尼亚游击队纪念碑 – ラヴァーニャのパルチザンに捧げられた記念碑

La statua di Garibaldi in largo Cairoli a Milano

La statua di Garibaldi in largo Cairoli a Milano

La statua di Garibaldi in largo Cairoli a Milano.
Percorrendo la via (via Dante) che dal Duomo di Milano corre fino al Castello Sforzesco, si arriva in questa bello slargo, Largo Cairoli, che ospita una bella statua di Giuseppe Garibaldi a cavallo.

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Photo taken with Canon EOS RP and lens Canon RF 24-50.

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Considered by historiography and in the mass culture of the 20th century as the main Italian national hero, he began his travels around the world as an officer of merchant ships, and then became a long-distance captain. His most famous enterprise was the victorious expedition of the Thousand that led to the annexation of the Kingdom of the Two Sicilies to the nascent Kingdom of Italy, a central episode in the process of unification of the new nation.
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The statue of Garibaldi in Largo Cairoli in Milan – La statue de Garibaldi sur le Largo Cairoli à Milan – La estatua de Garibaldi en Largo Cairoli en Milán – A estátua de Garibaldi no Largo Cairoli em Milão – Die Statue von Garibaldi im Largo Cairoli in Mailand – Tượng Garibaldi ở Largo Cairoli ở Milan

Michelangelo's tomb in Santa Croce in Florence

La tomba di Michelangelo in Santa Croce a Firenze

Michelangelo's tomb in Santa Croce in Florence.
The city of Florence, rich in history and culture, holds within it a treasure of art and meaning: the tomb of Michelangelo Buonarroti located in the Basilica of Santa Croce. This sacred place, once the residence of illustrious figures such as Galileo Galilei and Niccolò Machiavelli, welcomes the great master of the Italian Renaissance with a solemnity and respect that are worthy of the greatness of his contribution to art and culture.
Michelangelo, born in 1475 and died in 1564, was one of the greatest artists in history. His influence extended through sculpture, painting and architecture, giving life to iconic works such as the statue of David and the Sistine Chapel. After his death, Florence dedicated a final resting place to him in the Basilica of Santa Croce, a place already consecrated for its many tombs of illustrious personalities.
Michelangelo's tomb was designed by Giorgio Vasari, another great artist and architect of the Italian Renaissance. The work, completed in 1578, combines architectural and sculptural elements in a fitting tribute to Michelangelo's greatness. The monument is located in the Buonarroti family chapel, located on the left side of the nave of the basilica.
Michelangelo's tomb is an eloquent example of Renaissance funerary art. At the center is an allegorical statue of Hope, flanked by statues representing Activity and Philosophy. The figure of Michelangelo, created by Vasari himself, is placed on a sarcophagus surmounted by a portrait of the deceased, executed by Daniele da Volterra. The whole is characterized by a sense of balance and harmony, typical of the Renaissance style.
Every element of Michelangelo's tomb is full of symbolism. Hope, with outstretched wings, suggests the immortality of art and the continuity of its influence over time. The lateral statues symbolize the duality of Michelangelo's life, between the creative fervor of the artist and the philosophical depth of his thought.

Michelangelo’s tomb in Santa Croce is a masterpiece that combines art and spirituality. Every detail, from the architectural design to the allegorical sculptures, tells the story of a man who shaped the aesthetics of the Renaissance. This sacred place is an essential stop for anyone who wants to immerse themselves in the artistic and cultural legacy of Florence, paying homage to one of the geniuses who made this city eternally legendary.
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La tomba di Michelangelo in Santa Croce a Firenze

Photo taken with Canon EOS M100 and lens Canon EF-M 11-22.

This is the official website: santacroceopera.it.

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The most famous tomb is perhaps that of Michelangelo Buonarroti, between the first and second altars of the right nave, designed by Vasari after the remains of the great artist arrived in Florence from Rome (1564). Above the tomb, three sculptures represent the personifications of Painting (by Battista Lorenzi, also author of the artist's bust) (around 1568), Sculpture (by Valerio Cioli) and Architecture (reattributed to Battista Lorenzi, previously attributed to Giovanni Bandini), saddened by the death of the great master, but the entire tomb is a mixture of painting, sculpture and architecture. The frescoes that decorate it are by Giovan Battista Naldini.
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Michelangelo’s tomb in the church of Santa Croce in Florence – Le tombeau de Michel-Ange dans l’église de Santa Croce à Florence – La tumba de Miguel Ángel en la iglesia de Santa Croce en Florencia – Túmulo de Michelangelo na igreja de Santa Croce em Florença – Michelangelos Grab in der Kirche Santa Croce in Florenz – Mộ của Michelangelo tại nhà thờ Santa Croce ở Florence – 佛罗伦萨圣十字教堂内的米开朗基罗墓 – フィレンツェのサンタ・クローチェ教会にあるミケランジェロの墓

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